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Program checklist · NU Sector Arts & Letters (NUAL)

NU Sector Arts & Letters (NUAL)

University of Pennsylvania · Philadelphia, PA

A checklist is the list of requirements to complete this program and receive the award, as the college publishes it in its catalog. It is the same for everyone. It does not say what you have completed; that comes from applying your own record.

Program
Award
NU Sector Arts & Letters (NUAL)
Credits (computed from items)
1238-1239
Catalog edition
2026-2027
Checklist type
degree-program
Identifiers
IPEDS UNITID
215062
CourseShelf checklist
CK_215062_9c452b5a
CollegeTransfer.Net
Institution Transfer Profile
Source
CourseShelf publish 59

Requirements to complete

Every course or condition the catalog lists, in the catalog's order.

Requirements

1242 items
  1. 1
  2. 1
  3. As published: “Benjamin Franklin Seminar: 18th-Century Slavery and Abolition”
    1
  4. 1
  5. As published: “Bodies, Race and Rights: Sex and Citizenship in Modern American History”
    1
  6. 1
  7. 1
  8. 1
  9. 1
  10. 1
  11. 1
  12. 1
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  24. 1
  25. 1
  26. 1
  27. 1
  28. 1
  29. 1
  30. 1
  31. 1
  32. As published: “Creative Nonfiction Workshop: Youth Voices Amplified”
    1
  33. 1
  34. 1
  35. As published: “The Blackness of Rock: Revisiting Histories of Race, Gender, and Genre”
    1
  36. 1
  37. 1
  38. 1
  39. 1
  40. 1
  41. 1
  42. 1
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  44. 1
  45. 1
  46. 1
  47. 1
  48. 1
  49. 1
  50. As published: “Reading Maya Culture: Decipherment and a New Window into the Ancient Americas”
    1
  51. 1
  52. 1
  53. 1
  54. 1
  55. 1
  56. 1
  57. 1
  58. 1
  59. As published: “Music, Religion, Ritual in South and Southeast Asia.”
    1
  60. 1
  61. 1
  62. 1.5
  63. As published: “Design Fundamentals II”
    1.5
  64. 2
  65. 2
  66. 1
  67. 2
  68. 1
  69. .5
  70. 1
  71. 0.5
  72. .5
  73. 0.5
  74. 1
  75. 1
  76. 1
  77. 1
  78. 1
  79. 1
  80. 1
  81. 1
  82. As published: “Renaissance to the Present”
    1
  83. As published: “Art and Civilization in East Asia”
    1
  84. As published: “Art of Global Asia”
    1
  85. 1
  86. 1
  87. 1
  88. 1
  89. 1
  90. 1
  91. 1
  92. As published: “Reading Maya Culture: Decipherment and a New Window into the Ancient Americas”
    1
  93. 1
  94. 1
  95. 1
  96. 1
  97. 1
  98. 1
  99. As published: “Hellenistic and Roman Art and Artifact”
    1
  100. 1
  101. As published: “Architects and Empire: Roman Architecture and Urbanism”
    1
  102. 1
  103. 1
  104. 1
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  112. 1
  113. 1
  114. 1
  115. 1
  116. 1
  117. 1
  118. 1
  119. As published: “Modern Architecture, from the Enlightenment to the Present”
    1
  120. 1
  121. 1
  122. 1
  123. 1
  124. 1
  125. 1
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  144. 1
  145. 1
  146. 1
  147. 1
  148. As published: “Late Medieval and Renaissance France: Art, Politics, and Power”
    1
  149. 1
  150. 1
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  167. 1
  168. As published: “Roman Sculpture”
    1
  169. 1
  170. As published: “Senior Thesis”
    1
  171. 1
  172. 1
  173. 1
  174. As published: “Introduction to Creative Writing: Writing Asian American Lives”
    1
  175. 1
  176. As published: “Asian American Cinema Movement: Fighting For Representation”
    1
  177. 1
  178. 1
  179. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  180. 1
  181. 1
  182. 1
  183. As published: “In Dark Times: The Dystopian Imagination in Literature and Film”
    1
  184. 1
  185. 1
  186. 1
  187. 1
  188. 1
  189. 1
  190. 1
  191. 1
  192. 1
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  196. 1
  197. As published: “Water Worlds: Cultural Responses to Sea Level Rise & Catastrophic Flooding”
    1
  198. 1
  199. 1
  200. 1
  201. 1
  202. 1
  203. 1
  204. 1
  205. As published: “Asian American Cinema Movement: Fighting For Representation”
    1
  206. 1
  207. 1
  208. 1
  209. 1
  210. 1
  211. 1
  212. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  213. As published: “Russian and East European Film from the October Revolution to World War II”
    1
  214. 1
  215. 0.5
  216. 1
  217. 1
  218. 1
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  223. 1
  224. 1
  225. 1
  226. 1
  227. 1
  228. 1
  229. 1
  230. 1
  231. 1
  232. 1
  233. 1
  234. 1
  235. As published: “Icons in Performance: Actors and Others Who Have Shaped the Arts”
    1
  236. 1
  237. 1
  238. 1
  239. 1
  240. 1
  241. 1
  242. 1
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  248. 1
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  250. 1
  251. 1
  252. 1
  253. 1
  254. 1
  255. 1
  256. 1
  257. As published: “Cyborgs, Robots, Gadgets: Technologies in Contemporary Hispanic Cinema”
    1
  258. 1
  259. 1
  260. 1
  261. 1
  262. 1
  263. 1
  264. 1
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  298. 1
  299. 1
  300. 1
  301. 1
  302. 1
  303. 1
  304. 1
  305. 1
  306. 1
  307. 1
  308. As published: “Universal Language: From the Tower of Babel to Artifical Intelligence”
    1
  309. 1
  310. 1
  311. 1
  312. 1
  313. 1
  314. 1
  315. 1
  316. 1
  317. 1
  318. 1
  319. 1
  320. 1
  321. 1
  322. 1
  323. 1
  324. 1
  325. 1
  326. 1
  327. 1
  328. 1
  329. 1
  330. 1
  331. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  332. As published: “The Fantastic and Uncanny in Literature: Ghosts, Spirits & Machines”
    1
  333. 1
  334. 1
  335. 1
  336. 1
  337. 1
  338. 1
  339. 1
  340. 1
  341. 1
  342. 1
  343. As published: “Water Worlds: Cultural Responses to Sea Level Rise & Catastrophic Flooding”
    1
  344. 1
  345. 1
  346. 1
  347. 1
  348. 1
  349. 1
  350. 1
  351. As published: “Foundations of European Thought: from Rome to the Renaissance”
    1
  352. 1
  353. 1
  354. 1
  355. 1
  356. 1
  357. 1
  358. 1
  359. 1
  360. 1
  361. 1
  362. 1
  363. 1
  364. 1
  365. 1
  366. 1
  367. 1
  368. 1
  369. 1
  370. 1
  371. 1
  372. 1
  373. As published: “Literature of Dissent: Art as Protest in 20th-Century Poland and Czechoslovakia”
    1
  374. 1
  375. 1
  376. 1
  377. 1
  378. 1
  379. As published: “Black Italy: Transnational Identities and Narratives in Afro-Italian Literature”
    1
  380. 1
  381. 1
  382. 1
  383. 1
  384. 1
  385. 1
  386. 1
  387. 1
  388. 1
  389. As published: “A Survey of Sanskrit, Pakrit, and Classical Tamil Literature in Translation”
    1
  390. As published: “Faces of Love: Gender, Sexuality and the Erotic in Persian Literature”
    1
  391. 1
  392. 1
  393. 1
  394. 1
  395. As published: “Contemporary Italy: Pop Culture, Politics, and Peninsular Identity”
    1
  396. 1
  397. 1
  398. 1
  399. 1
  400. 1
  401. 1
  402. 1
  403. 1
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  410. 1
  411. 1
  412. 1
  413. 1
  414. 1
  415. 1
  416. 1
  417. 1
  418. 1
  419. As published: “Independent Study”
    1
  420. 1
  421. 1
  422. 1
  423. 1
  424. 1
  425. 1
  426. 1
  427. 1
  428. 1
  429. 1
  430. 1
  431. 1
  432. 1
  433. 1
  434. 1
  435. 1
  436. 1
  437. As published: “Interfacing Cultures: Designing for Mobile, Web and Public Media”
    1
  438. 1
  439. 1
  440. 1
  441. 1
  442. 1
  443. 1
  444. 1
  445. 1
  446. 1
  447. 1
  448. 1
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  450. 1
  451. 1
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  456. 1
  457. 1
  458. 1
  459. 1
  460. 1
  461. 1
  462. 1
  463. 1
  464. 1
  465. 1
  466. 1
  467. As published: “Mindfulness, Dialogue, & Human Development (SNF Paideia Program Course)”
    1
  468. 1
  469. 1
  470. 1
  471. As published: “Literature for Children and Adolescents”
    1
  472. As published: “Study of a Medieval or Renaissance Author”
    1
  473. 1
  474. 1
  475. 1
  476. 1
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  478. 1
  479. 1
  480. 1
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  494. 1
  495. 1
  496. 1
  497. 1
  498. 1
  499. 1
  500. 1
  501. 1
  502. 1
  503. 1
  504. As published: “Benjamin Franklin Seminar: 18th-Century Slavery and Abolition”
    1
  505. 1
  506. 1
  507. 1
  508. 1
  509. 1
  510. 1
  511. 1
  512. 1
  513. 1
  514. 1
  515. 1
  516. As published: “Critical-Creative Approaches to Literature”
    1
  517. 1
  518. 1
  519. 1
  520. 1
  521. 1
  522. 1
  523. 1
  524. 1
  525. 1
  526. 1
  527. 1
  528. 1
  529. 1
  530. 1
  531. 1
  532. 1
  533. 1
  534. 1
  535. 1
  536. 1
  537. 1
  538. 1
  539. 1
  540. 1
  541. 1
  542. 1
  543. 1
  544. 1
  545. 1
  546. 1
  547. 1
  548. 1
  549. 1
  550. 1
  551. 1
  552. 1
  553. 1
  554. As published: “Black Italy: Transnational Identities and Narratives in Afro-Italian Literature”
    1
  555. 1
  556. 1
  557. As published: “Writing Women, Part 1”
    1
  558. 1
  559. 1
  560. 1
  561. As published: “Universal Language: From the Tower of Babel to Artifical Intelligence”
    1
  562. 1
  563. 1
  564. As published: “In Dark Times: The Dystopian Imagination in Literature and Film”
    1
  565. 1
  566. 1
  567. 1
  568. 1
  569. 1
  570. 1
  571. 1
  572. 1
  573. 1
  574. 1
  575. 1
  576. 1
  577. 1
  578. 1
  579. 1
  580. 1
  581. 1
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  583. 1
  584. 1
  585. 1
  586. 1
  587. 1
  588. 1
  589. 1
  590. 1
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  592. 1
  593. 1
  594. 1
  595. 1
  596. 1
  597. 1
  598. 1
  599. 1
  600. 1
  601. 1
  602. 1
  603. 1
  604. 1
  605. 1
  606. 1
  607. 1
  608. 1
  609. 1
  610. 1
  611. 1
  612. 1
  613. 1
  614. 1
  615. 1
  616. 1
  617. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  618. 1
  619. 1
  620. 1
  621. 1
  622. 1
  623. 1
  624. 1
  625. 1
  626. 1
  627. 1
  628. 1
  629. 1
  630. 1
  631. 1
  632. 1
  633. 1
  634. 1
  635. 1
  636. 1
  637. 1
  638. 1
  639. 1
  640. 1
  641. As published: “Icons in Performance: Actors and Others Who Have Shaped the Arts”
    1
  642. 1
  643. 1
  644. 1
  645. 1
  646. 1
  647. 1
  648. 1
  649. 1
  650. 1
  651. 1
  652. 1
  653. 1
  654. 1
  655. As published: “Introduction to Creative Writing: Poetry and Creative Nonfiction”
    1
  656. 1
  657. As published: “Introduction to Creative Writing: Fiction and Creative Nonfiction”
    1
  658. 1
  659. 1
  660. As published: “Introduction to Creative Writing: Memoir and Literary Journalism”
    1
  661. As published: “Introduction to Creative Writing: Memoir and Creative Nonfiction”
    1
  662. 1
  663. 1
  664. 1
  665. 1
  666. As published: “Introduction to Creative Writing: Imitations and Writing in Form”
    1
  667. 1
  668. 1
  669. 1
  670. 1
  671. 1
  672. 1
  673. 1
  674. 1
  675. 1
  676. 1
  677. 1
  678. 1
  679. 1
  680. As published: “I Was a Teenage Monster: Coming of Age in Speculative Writing”
    1
  681. 1
  682. 1
  683. 1
  684. 1
  685. 1
  686. 1
  687. 1
  688. 1
  689. 1
  690. 1
  691. 1
  692. 1
  693. As published: “Creative Nonfiction Workshop”
    1
  694. 1
  695. As published: “Experimental Nonfiction”
    1
  696. As published: “Creative Nonfiction Workshop: The Art of Experience”
    1
  697. As published: “Creative Nonfiction Workshop: Travel Writing”
    1
  698. As published: “Creative Nonfiction Workshop: Youth Voices Amplified”
    1
  699. 1
  700. As published: “Creative Nonfiction: The Essay”
    1
  701. 1
  702. As published: “Long-Form Reported Nonfiction”
    1
  703. 1
  704. As published: “Creative Nonfiction: Look In; Look Out”
    1
  705. As published: “Xfic Nonfiction Workshop”
    1
  706. 1
  707. 1
  708. 1
  709. 1
  710. 1
  711. 1
  712. 1
  713. 1
  714. 1
  715. 1
  716. 1
  717. 1
  718. 1
  719. 1
  720. 1
  721. As published: “The Art of the Profile”
    1
  722. 1
  723. 1
  724. 1
  725. 1
  726. 1
  727. As published: “Advanced Long-Form Nonfiction”
    1
  728. 1
  729. 1
  730. 1
  731. 1
  732. 1
  733. 1
  734. 1
  735. 1
  736. 1
  737. 1
  738. 1
  739. 1
  740. 1
  741. 1
  742. 1
  743. 1
  744. As published: “Passion Projects: Radical Experiments in Writing Plays, Screenplays, and Pilots”
    1
  745. As published: “Is This Really Happening? Performance and Contemporary Political Horizons”
    1
  746. 1
  747. 1
  748. 1
  749. 1
  750. 1
  751. 1
  752. As published: “JRS Long 18C Lit with Theory & Poetics and Difference and Diaspora”
    1
  753. As published: “Water Worlds: Cultural Responses to Sea Level Rise & Catastrophic Flooding”
    1
  754. 1
  755. 1
  756. 1
  757. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  758. 1
  759. 1
  760. 1
  761. 1
  762. 1
  763. 1
  764. 1
  765. 1
  766. 1
  767. 1
  768. 1
  769. 1
  770. 1
  771. 1
  772. 1
  773. 1
  774. 1
  775. 1
  776. 1
  777. As published: “Performance/Camera: Performance and-with-through-for Cameras”
    1
  778. 1
  779. 1
  780. 1
  781. 1
  782. As published: “Reconfiguring Portraiture”
    1
  783. 1
  784. 1
  785. 1
  786. 1
  787. 1
  788. 1
  789. 1
  790. 1
  791. 1
  792. 1
  793. 1
  794. 1
  795. 1
  796. 1
  797. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  798. As published: “Tiananmen Square: A Case Study for Fine Arts and Landscape Architecture”
    1
  799. 1
  800. 1
  801. 1
  802. 1
  803. 1
  804. As published: “Monument Lab: Praxis Approaches to Socially-Engaged Public Art”
    1
  805. As published: “Is This Really Happening? Performance and Contemporary Political Horizons”
    1
  806. As published: “Is This Really Happening? Performance and Contemporary Political Horizons (SNF Paideia Course)”
    1
  807. 1
  808. 1
  809. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  810. 1
  811. 1
  812. 1
  813. 1
  814. 1
  815. 1
  816. 1
  817. 1
  818. 1
  819. 1
  820. 1
  821. 1
  822. As published: “Berlin: History, Politics, Culture”
    1
  823. 1
  824. As published: “The Fantastic and Uncanny in Literature: Ghosts, Spirits & Machines”
    1
  825. 1
  826. 1
  827. 1
  828. 1
  829. 1
  830. 1
  831. As published: “Water Worlds: Cultural Responses to Sea Level Rise & Catastrophic Flooding”
    1
  832. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  833. As published: “Liquid Histories and Floating Archives”
    1
  834. 1
  835. 1
  836. As published: “Witnessing, Remembering, and Writing the Holocaust”
    1
  837. 1
  838. As published: “Northern Renaissance Art”
    1
  839. As published: “Introduction to Literary Theory”
    1
  840. As published: “Global Modernism Seminar”
    1
  841. 1
  842. 1
  843. 1
  844. 1
  845. As published: “First-Year Seminar: Italian Foods and Cultures”
    1
  846. As published: “Benjamin Franklin Seminar: 19th-Century American Literature”
    1
  847. 1
  848. 1
  849. As published: “Is This Really Happening? Performance and Contemporary Political Horizons”
    1
  850. 1
  851. 1
  852. 1
  853. 1
  854. As published: “The Fantastic and Uncanny in Literature: Ghosts, Spirits & Machines”
    1
  855. 1
  856. As published: “Bodies, Race and Rights: Sex and Citizenship in Modern American History”
    1
  857. 1
  858. As published: “Sex and Gender in Ancient Greece and Rome”
    1
  859. 1
  860. 1
  861. 1
  862. 1
  863. 1
  864. 1
  865. 1
  866. As published: “Writing Women, Part 1”
    1
  867. 1
  868. 1
  869. 1
  870. 1
  871. 1
  872. 1
  873. 1
  874. 1
  875. 1
  876. 1
  877. As published: “Faces of Love: Gender, Sexuality and the Erotic in Persian Literature”
    1
  878. 1
  879. 1
  880. 1
  881. 1
  882. 1
  883. 1
  884. 1
  885. 1
  886. 1
  887. 1
  888. 1
  889. 1
  890. 1
  891. 1
  892. 1
  893. 1
  894. 1
  895. 1
  896. 1
  897. 1
  898. 1
  899. 1
  900. As published: “Passion Projects: Radical Experiments in Writing Plays, Screenplays, and Pilots”
    1
  901. 1
  902. 1
  903. 1
  904. 1
  905. 1
  906. As published: “Universal Language: From the Tower of Babel to Artifical Intelligence”
    1
  907. 1
  908. 1
  909. 1
  910. 1
  911. As published: “Bodies, Race and Rights: Sex and Citizenship in Modern American History”
    1
  912. As published: “Foundations of European Thought: from Rome to the Renaissance”
    1
  913. 1
  914. 1
  915. 1
  916. 1
  917. 1
  918. 1
  919. 1
  920. 1
  921. 1
  922. 1
  923. 1
  924. As published: “Foundations of European Thought: from Rome to the Renaissance”
    1
  925. 1
  926. 1
  927. 1
  928. 1
  929. 1
  930. As published: “Italian History on the Table”
    1
  931. As published: “Fascist Cinemas”
    1
  932. As published: “Film Sound and Film Music”
    1
  933. 1
  934. 1
  935. As published: “Black Italy: Transnational Identities and Narratives in Afro-Italian Literature”
    1
  936. As published: “Contemporary Italy: Pop Culture, Politics, and Peninsular Identity”
    1
  937. 1
  938. 1
  939. 1
  940. 1
  941. 1
  942. 1
  943. 1
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  963. As published: “Translating Cultures: Literature on and in Translation”
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  976. As published: “Reading Maya Culture: Decipherment and a New Window into the Ancient Americas”
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  984. As published: “Cyborgs, Robots, Gadgets: Technologies in Contemporary Hispanic Cinema”
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  986. As published: “Passion Projects: Radical Experiments in Writing Plays, Screenplays, and Pilots”
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  988. As published: “Studies in Modern and Contemporary Latin American and Latinx Literature”
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  1020. As published: “Faces of Love: Gender, Sexuality and the Erotic in Persian Literature”
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  1024. 1
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  1030. 1
  1031. 0.5
  1032. 0.5
  1033. 0.5
  1034. 0.5
  1035. 0.5
  1036. 1
  1037. 0.5
  1038. 0.5
  1039. As published: “On Belonging: Music, Displacement, and Well-Being (SNF Paideia Program Course)”
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  1067. 1.5
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  1084. As published: “The Blackness of Rock: Revisiting Histories of Race, Gender, and Genre”
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  1085. As published: “Music, Religion, Ritual in South and Southeast Asia.”
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  1088. As published: “Caribbean Music and Diaspora”
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  1090. 1.5
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  1094. 0.5
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  1121. As published: “Literature of Dissent: Art as Protest in 20th-Century Poland and Czechoslovakia”
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  1125. As published: “Universal Language: From the Tower of Babel to Artifical Intelligence”
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  1159. As published: “A Survey of Sanskrit, Pakrit, and Classical Tamil Literature in Translation”
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  1166. As published: “Cyborgs, Robots, Gadgets: Technologies in Contemporary Hispanic Cinema”
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  1173. As published: “Studies in Modern and Contemporary Latin American and Latinx Literature”
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  1205. As published: “Icons in Performance: Actors and Others Who Have Shaped the Arts”
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  1211. 0.5
  1212. 0.5
  1213. 1
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  1239. 0.5
  1240. 0.5
  1241. 0.5
  1242. 1
Source. University of Pennsylvania, catalog 2026-2027 — https://catalog.upenn.edu/attributes/nual/. Captured page pages/1528.html.gz. Assembled from the institution's published catalog as captured; every record names its captured page and source URL. Assembled, not asserted.