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Program checklist · WH UG Humanities (WUHM)

WH UG Humanities (WUHM)

University of Pennsylvania · Philadelphia, PA

A checklist is the list of requirements to complete this program and receive the award, as the college publishes it in its catalog. It is the same for everyone. It does not say what you have completed; that comes from applying your own record.

Program
Award
WH UG Humanities (WUHM)
Credits (computed from items)
1017.5-1018.5
Catalog edition
2026-2027
Checklist type
degree-program
Identifiers
IPEDS UNITID
215062
CourseShelf checklist
CK_215062_6b28b3eb
CollegeTransfer.Net
Institution Transfer Profile
Source
CourseShelf publish 59

Requirements to complete

Every course or condition the catalog lists, in the catalog's order.

Requirements

997 items
  1. 1
  2. 1
  3. 1
  4. 1
  5. 1
  6. 1
  7. 1
  8. 1
  9. 1
  10. As published: “Afro-Latin America: Culture, History, and Society.”
    1
  11. 1
  12. 1
  13. 1
  14. 1
  15. 1
  16. 1
  17. 1
  18. 1
  19. 1
  20. 1
  21. 1
  22. 1
  23. 1
  24. 1
  25. 1
  26. 1
  27. 1
  28. As published: “India, South Asia, and the American University (First-Year Seminar)”
    1
  29. As published: “Merchants, Saints, Slaves and Sojourners: the Worlds of the Indian Ocean”
    1
  30. 1
  31. 1
  32. 1
  33. 1
  34. 1
  35. 1
  36. 2
  37. 1
  38. 1
  39. 1
  40. 1
  41. 2
  42. 1
  43. 1
  44. 2
  45. 1
  46. 1
  47. 1
  48. 1
  49. 1
  50. 1
  51. As published: “Renaissance to the Present”
    1
  52. As published: “Art and Civilization in East Asia”
    1
  53. As published: “Art of Global Asia”
    1
  54. 1
  55. 1
  56. 1
  57. 1
  58. 1
  59. 1
  60. 1
  61. 1
  62. 1
  63. 1
  64. As published: “Introduction to Creative Writing: Writing Asian American Lives”
    1
  65. As published: “Asian American Cinema Movement: Fighting For Representation”
    1
  66. 1
  67. 1
  68. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  69. 1
  70. 1
  71. 1
  72. 2
  73. 1
  74. 1
  75. 1
  76. 1
  77. 1
  78. 1
  79. 1
  80. 1
  81. 1
  82. 1
  83. 1
  84. 1
  85. 1
  86. 1
  87. 1
  88. 1
  89. 1
  90. 1
  91. 1
  92. 1
  93. 1
  94. 1
  95. 2
  96. 1
  97. 1
  98. 1
  99. 1
  100. 1
  101. 1
  102. 1
  103. 1
  104. 1
  105. 1
  106. As published: “Penn Global Seminar: Intermediate Chinese II”
    1
  107. 1
  108. 2
  109. 1
  110. 1
  111. 1
  112. 1
  113. 1
  114. 1
  115. 1
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  117. 1
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  128. 1
  129. 1
  130. 1
  131. 1
  132. 1
  133. 1
  134. 1
  135. 1
  136. 1
  137. 1
  138. As published: “Chinese for Specific Purposes: Legal Chinese”
    1
  139. 1
  140. 1
  141. 1
  142. 1
  143. 1
  144. 1
  145. 1
  146. 1
  147. 1
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  149. 1
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  155. 1
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  157. 1
  158. 1
  159. 1
  160. 1
  161. 1
  162. 1
  163. 1
  164. 1
  165. 1
  166. 1
  167. 1
  168. As published: “Asian American Cinema Movement: Fighting For Representation”
    1
  169. 1
  170. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  171. 1
  172. 1
  173. 1
  174. 1
  175. 1
  176. 1
  177. As published: “Mafia in the Movies”
    1
  178. 1
  179. 1
  180. 1
  181. 1
  182. 1
  183. As published: “Cyborgs, Robots, Gadgets: Technologies in Contemporary Hispanic Cinema”
    1
  184. 1
  185. 1
  186. 1
  187. 1
  188. 1
  189. 1
  190. 1
  191. 1
  192. 1
  193. 1
  194. 1
  195. 1
  196. As published: “Percy Jackson and Friends: Ancient Greece and Rome in Children's and Young Adult Culture”
    1
  197. 1
  198. 1
  199. 1
  200. 1
  201. 1
  202. 1
  203. 1
  204. 1
  205. 1
  206. 1
  207. 1
  208. 1
  209. 1
  210. As published: “BFS--Med/Red Dante in English: Creative Responses to the Divine Comedy”
    1
  211. 1
  212. 1
  213. 1
  214. 1
  215. 1
  216. 1
  217. 1
  218. 1
  219. 1
  220. 1
  221. 1
  222. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  223. As published: “The Fantastic and Uncanny in Literature: Ghosts, Spirits & Machines”
    1
  224. 1
  225. 1
  226. 1
  227. 1
  228. 1
  229. 1
  230. 1
  231. 1
  232. 1
  233. 1
  234. 1
  235. 1
  236. 1
  237. 1
  238. 1
  239. 1
  240. 1
  241. 1
  242. 1
  243. 1
  244. 1
  245. 1
  246. 1
  247. 1
  248. 1
  249. 1
  250. 1
  251. 1
  252. 1
  253. 1
  254. 1
  255. As published: “Drawing the Blue Line: Police and Power in American Popular Culture (SNF Paideia Program Course)”
    1
  256. 1
  257. 1
  258. 1
  259. 1
  260. 1
  261. 1
  262. 1
  263. 1
  264. 1
  265. 1
  266. 1
  267. 1
  268. 1
  269. 1
  270. 1
  271. As published: “Art, Pop, and Belonging: Or, How to Talk about Korean Popular Culture”
    1
  272. 1
  273. 1
  274. 1
  275. 1
  276. 1
  277. 1
  278. 1
  279. As published: “Study of a Medieval or Renaissance Author”
    1
  280. 1
  281. 1
  282. 1
  283. 1
  284. 1
  285. 1
  286. 1
  287. 1
  288. 1
  289. 1
  290. 1
  291. 1
  292. 1
  293. 1
  294. 1
  295. 1
  296. 1
  297. 1
  298. 1
  299. 1
  300. 1
  301. 1
  302. 1
  303. 1
  304. 1
  305. 1
  306. As published: “BFS--Med/Red Dante in English: Creative Responses to the Divine Comedy”
    1
  307. 1
  308. 1
  309. 1
  310. 1
  311. 1
  312. 1
  313. 1
  314. 1
  315. 1
  316. 1
  317. 1
  318. 1
  319. As published: “Podcasting--a Critical-Creative Seminar (SNF Paideia Program Course)”
    1
  320. As published: “Poetry, Music, and the Sounds of the Twentieth Century (SNF Paideia Program Course)”
    1
  321. 1
  322. 1
  323. 1
  324. 1
  325. 1
  326. 1
  327. 1
  328. 1
  329. 1
  330. 1
  331. 1
  332. 1
  333. 1
  334. 1
  335. 1
  336. 1
  337. 1
  338. 1
  339. 1
  340. 1
  341. 1
  342. 1
  343. 1
  344. 1
  345. 1
  346. 1
  347. 1
  348. 1
  349. 1
  350. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  351. 1
  352. As published: “Introduction to Creative Writing: Fiction and Creative Nonfiction”
    1
  353. As published: “Introduction to Creative Writing: Imitations and Writing in Form”
    1
  354. 1
  355. 1
  356. 1
  357. 1
  358. 1
  359. 1
  360. 1
  361. 1
  362. As published: “Creative Nonfiction Workshop”
    1
  363. 1
  364. As published: “Creative Nonfiction: The Essay”
    1
  365. 1
  366. 1
  367. 1
  368. 1
  369. 1
  370. 1
  371. As published: “Is This Really Happening? Performance and Contemporary Political Horizons”
    1
  372. 1
  373. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  374. 1
  375. 1
  376. 1
  377. 1
  378. 1
  379. 1
  380. 1
  381. 1
  382. 1
  383. 1
  384. 1
  385. 1
  386. 1
  387. 1
  388. 1
  389. 1
  390. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  391. 1
  392. As published: “Is This Really Happening? Performance and Contemporary Political Horizons”
    1
  393. As published: “Is This Really Happening? Performance and Contemporary Political Horizons (SNF Paideia Course)”
    1
  394. As published: “The Chinese Body and Spatial Consumption in Chinatown (SNF Paideia Course)”
    1
  395. 1
  396. 1
  397. 1
  398. 1
  399. 2
  400. 2
  401. 1
  402. 1
  403. 1
  404. 2
  405. 1
  406. 0.5
  407. 1
  408. 1
  409. 1
  410. 1
  411. 1
  412. 1
  413. 1
  414. 1
  415. 1
  416. 1
  417. 1
  418. 1
  419. As published: “The Enlightenment”
    1
  420. 1
  421. 1
  422. 1
  423. As published: “Animal Words, Animal Worlds: Introduction to Zoopoetics”
    1
  424. 1
  425. 1
  426. 1
  427. 1
  428. 1
  429. 1
  430. 1
  431. 1
  432. 1
  433. 2
  434. 1
  435. 1
  436. 1
  437. 1
  438. 1
  439. 1
  440. 1
  441. As published: “Revolutionary Change and Historical Commemoration in Germantown and Philadelphia”
    1
  442. 1
  443. 2
  444. 1
  445. 1
  446. 2
  447. 1
  448. 1
  449. As published: “Berlin: History, Politics, Culture”
    1
  450. As published: “The Fantastic and Uncanny in Literature: Ghosts, Spirits & Machines”
    1
  451. As published: “Fashion and Modernity”
    1
  452. 1
  453. 1
  454. 1
  455. As published: “Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film”
    1
  456. 1
  457. 1
  458. 1
  459. As published: “Introduction to Literary Theory”
    1
  460. 1
  461. 1
  462. 1
  463. 1
  464. 1
  465. 1
  466. As published: “From Mittelstand to Multinationals: Trends in German Business”
    1
  467. 1
  468. As published: “Places of Memory. Lieux de memoire. Erinnerungsorte.”
    1
  469. 1
  470. 1
  471. 1
  472. 1
  473. As published: “First-Year Seminar: Italian Film and Media Studies”
    1
  474. 1
  475. As published: “First-Year Seminar: Italian Foods and Cultures”
    1
  476. 1
  477. 1
  478. 1
  479. 1
  480. 1
  481. 1
  482. As published: “Is This Really Happening? Performance and Contemporary Political Horizons”
    1
  483. 1
  484. As published: “The Fantastic and Uncanny in Literature: Ghosts, Spirits & Machines”
    1
  485. 1
  486. 1
  487. 1
  488. 1
  489. 1
  490. 1
  491. 1
  492. 1
  493. 1
  494. 1
  495. 1
  496. 1
  497. 1
  498. 1
  499. 1
  500. 1
  501. 1
  502. 1
  503. 1
  504. 1
  505. 1
  506. 1
  507. 1
  508. 1
  509. 1
  510. 1
  511. 1
  512. 1
  513. 1
  514. 1
  515. 1
  516. As published: “India, South Asia, and the American University (First-Year Seminar)”
    1
  517. 1
  518. 1
  519. 1
  520. 1
  521. As published: “Gunpowder, Art and Diplomacy: Islamic Empires in the Early Modern World”
    1
  522. 1
  523. 1
  524. 1
  525. 1
  526. 1
  527. 1
  528. 1
  529. 1
  530. 1
  531. 1
  532. 1
  533. 1
  534. 1
  535. 1
  536. 1
  537. 1
  538. 1
  539. 1
  540. 1
  541. 1
  542. 1
  543. 1
  544. 1
  545. 1
  546. As published: “First-Year Seminar: Italian Music”
    1
  547. 1
  548. 1
  549. 1
  550. 1
  551. 1
  552. 1
  553. 1
  554. 1
  555. 2
  556. 1
  557. 1
  558. 2
  559. 1
  560. 0.5
  561. 1
  562. 1
  563. 1
  564. 1
  565. 1
  566. 1
  567. 1
  568. 1
  569. 1
  570. As published: “Italian History on the Table”
    1
  571. 1
  572. 1
  573. 1
  574. 1
  575. As published: “Mafia in the Movies”
    1
  576. 1
  577. As published: “Italian Ecologies and Environments: Stories and Images in the Age of the Anthropocene”
    1
  578. 1
  579. As published: “BFS--Med/Red Dante in English: Creative Responses to the Divine Comedy”
    1
  580. 1
  581. 1
  582. 1
  583. 1
  584. 1
  585. 1
  586. 1
  587. 1
  588. 1
  589. 1
  590. 1
  591. 1
  592. 1
  593. 1
  594. 2
  595. 1
  596. 1
  597. 2
  598. 1
  599. 1
  600. 1
  601. 1
  602. 1
  603. 1
  604. 1
  605. 1
  606. As published: “Advanced Japanese for Proficiency I”
    1
  607. As published: “Advanced Japanese for Proficiency II”
    1
  608. 1
  609. 1
  610. As published: “Advanced Japanese for Proficiency I”
    1
  611. As published: “Advanced Japanese for Proficiency II”
    1
  612. 1
  613. 1
  614. 1
  615. 1
  616. 1
  617. 1
  618. 1
  619. 1
  620. 1
  621. 1
  622. 1
  623. 1
  624. 1
  625. 1
  626. 1
  627. 1
  628. 1
  629. 1
  630. 1
  631. 1
  632. 1
  633. 1
  634. 1
  635. 1
  636. 1
  637. 1
  638. 1
  639. 2
  640. 1
  641. 1
  642. 1
  643. 1
  644. 1
  645. 1
  646. 1
  647. 1
  648. 1
  649. 1
  650. 1
  651. 1
  652. 1
  653. 1
  654. 1
  655. 1
  656. 1
  657. 1
  658. 1
  659. 1
  660. 1
  661. 1
  662. 1
  663. 1
  664. 1
  665. 1
  666. 1
  667. 1
  668. 1
  669. 1
  670. 1
  671. 1
  672. 1
  673. 1
  674. 1
  675. 1
  676. 1
  677. 1
  678. 1
  679. 1
  680. 1
  681. 1
  682. As published: “Cyborgs, Robots, Gadgets: Technologies in Contemporary Hispanic Cinema”
    1
  683. As published: “Studies in Modern and Contemporary Latin American and Latinx Culture”
    1
  684. As published: “Afro-Latin America: Culture, History, and Society.”
    1
  685. 1
  686. 1
  687. 1
  688. 2
  689. 1
  690. 1
  691. 2
  692. 1
  693. 1
  694. 1
  695. 1
  696. 1
  697. 1
  698. 1
  699. 1
  700. 1
  701. 1
  702. 1
  703. 1
  704. 1
  705. 1
  706. 1
  707. 1
  708. 1
  709. 1
  710. 1
  711. 1
  712. 1
  713. 1
  714. As published: “Intermediate Biblical Hebrew I”
    1
  715. 1
  716. 1
  717. 1
  718. 1
  719. 1
  720. 1
  721. 1
  722. 1
  723. 1
  724. 1
  725. 1
  726. As published: “Gunpowder, Art and Diplomacy: Islamic Empires in the Early Modern World”
    1
  727. 1
  728. 1
  729. 1
  730. 1
  731. 1
  732. 1
  733. 1
  734. 1
  735. 1
  736. 1
  737. 1
  738. 1
  739. 1
  740. As published: “Distracted Listening: Theories of Music, Listening, and Capitalism”
    1
  741. 0.5
  742. 0.5
  743. As published: “On Belonging: Music, Displacement, and Well-Being (SNF Paideia Program Course)”
    1
  744. 1
  745. 1
  746. 1
  747. 1
  748. 1
  749. 1
  750. 1
  751. 1
  752. 1-2
  753. 1.5
  754. 1
  755. 1
  756. 1
  757. 1
  758. 1
  759. 1
  760. 1
  761. 1
  762. 1
  763. 1
  764. 1
  765. 1
  766. 1
  767. 1
  768. 1
  769. 1
  770. 1
  771. 1
  772. 1
  773. 1
  774. 1
  775. 1
  776. 1
  777. 1
  778. 1
  779. 1
  780. 1
  781. 1
  782. 1
  783. 1
  784. 1
  785. 1
  786. 1
  787. 1
  788. 1
  789. 1
  790. 1
  791. 1
  792. 1
  793. 1
  794. 1
  795. 1
  796. 1
  797. 1
  798. 1
  799. 1
  800. 1
  801. 1
  802. 1
  803. 1
  804. As published: “Masterpieces of 19th-Century Russian Literature”
    1
  805. 1
  806. 1
  807. 1
  808. 1
  809. 1
  810. 1
  811. 1
  812. 1
  813. 1
  814. 1
  815. 1
  816. 1
  817. 1
  818. 1
  819. 1
  820. 1
  821. 1
  822. 1
  823. 1
  824. 1
  825. 2
  826. 1
  827. 1
  828. 1
  829. As published: “Intermediate Russian Grammar Review, Composition, and Conversation”
    1
  830. 1
  831. 1
  832. 1
  833. 1
  834. 1
  835. 1
  836. 1
  837. 1
  838. 1
  839. As published: “India, South Asia, and the American University (First-Year Seminar)”
    1
  840. 1
  841. 1
  842. As published: “Merchants, Saints, Slaves and Sojourners: the Worlds of the Indian Ocean”
    1
  843. 1
  844. 1
  845. 1
  846. 1
  847. 1
  848. 1
  849. 1
  850. 2
  851. 1
  852. 1
  853. 1
  854. 1
  855. 1
  856. 2
  857. 1
  858. 1
  859. 1
  860. 1
  861. 1
  862. 1
  863. 1
  864. 1
  865. 1
  866. 1
  867. 1
  868. As published: “Cyborgs, Robots, Gadgets: Technologies in Contemporary Hispanic Cinema”
    1
  869. As published: “Studies in Modern and Contemporary Latin American and Latinx Culture”
    1
  870. As published: “Afro-Latin America: Culture, History, and Society.”
    1
  871. 1
  872. 1
  873. 1
  874. 1
  875. 1
  876. 1
  877. 1
  878. 1
  879. 1
  880. 1
  881. 1
  882. 1
  883. 1
  884. 1
  885. 1
  886. 1
  887. 1
  888. 1
  889. 1
  890. 1
  891. 1
  892. 1
  893. 1
  894. 1
  895. 1
  896. 1
  897. 1
  898. 1
  899. 1
  900. 1
  901. 1
  902. 1
  903. 1
  904. 1
  905. 1
  906. 1
  907. 1
  908. 1
  909. 1
  910. 1
  911. 1
  912. 1
  913. 1
  914. 1
  915. 1
  916. 1
  917. 1
  918. 1
  919. 1
  920. 1
  921. 1
  922. 1
  923. 1
  924. 1
  925. 1
  926. 1
  927. 1
  928. 1
  929. 1
  930. 1
  931. 1
  932. 1
  933. 1
  934. 1
  935. 1
  936. 1
  937. 1
  938. 1
  939. 1
  940. 1
  941. 1
  942. 1
  943. 0.5
  944. 0.5
  945. 1
  946. 1
  947. 1
  948. 1
  949. 1
  950. 1
  951. 1
  952. 1
  953. 1
  954. 1
  955. As published: “Vietnamese Heritage Speakers II”
    1
  956. 1
  957. 1
  958. 1
  959. 1
  960. 1
  961. 1
  962. 1
  963. 1
  964. 1
  965. 1
  966. 1
  967. 1
  968. 1
  969. 1
  970. 1
  971. 1
  972. 1
  973. 1
  974. 1
  975. 1
  976. 1
  977. 1
  978. 1
  979. 1
  980. 1
  981. 1
  982. 1
  983. 1
  984. 1
  985. 1
  986. 1
  987. 1
  988. 1
  989. 1
  990. 1
  991. 1
  992. 2
  993. 1
  994. 1
  995. 1
  996. 1
  997. 1
Source. University of Pennsylvania, catalog 2026-2027 — https://catalog.upenn.edu/attributes/wuhm/. Captured page pages/1715.html.gz. Assembled from the institution's published catalog as captured; every record names its captured page and source URL. Assembled, not asserted.