Introduction to basic concepts of audio propagation both acoustically and electrically All
- Subject
- MUSR
- Credits (min)
- 2
- Credits (max)
- 2
- Credit unit
- cr
- Type
- course
- Edition
- undergraduate
- Source
- applications.duq.edu
10 courses with the subject MUSR, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
Introduction to basic concepts of audio propagation both acoustically and electrically All
The focus of this course is a presentation of more basic audio concepts both acoustically and electric- ally An introduction and overview of the hardware and software used in the recording process Prereq- uisite Introduction to Audio I
Directed individual study in Audio Musicians and Music Technology H MUSR 420 Sound Recording MUTK 350 Electronic Chamber Music 2 cr Technology Internship 1-4 cr A performance based course that covers the basics Students will be provided an opportunity to work of Electronic Performance Practice Includes the preparation, rehearsal, and performance of elec- as an assistant at a corporation related to the field of sound recording tronic music through solo, ensemble, and sequen- cer-based pieces Students are assigned to small chamber groups, both solo and ensemble pieces are prepared by the students for performance in a recital MUSIC TECHNOLOGY at the end of the semester Prerequisite MIDI Con-
Foundations of the recording process Covered are all aspects of the recording chain and basic pro- cedures for two track and multi-track production Lab required Prerequisite Introduction to Audio H
An intensive study of the commercial recording pro- cess Intensive hands-on and production projects Lab required Prerequisite Audio I MUSR 149 Audio 111. 2 cr Individual studio projects with instructor coaching Prerequisite Audio 11
The focus of this course is reinforcement of record- ing techniques learned in Audio 1, H, and III Each student is required to be engaged in a current weekly recording session and to be working toward comple- tion of assigned projects Students meet with the in- structor upon completion of recordings and are cnti- qued on their performance Prerequisite Audio III
Standard setup routines along with basic studio pr^ tion Prerequisite Music Synthesis 11 cedures are covered Paper work and session orgai^ NlU`FK 207 Music Synthesis IV 2 cr zation is emphasized Advanced project in music technology which
Students gain experience in CEDAR (Computer riology skills, includes the creation of a professiona Enhanced Digital Audio Restoration) techruques for portfolio Prerequisite Music Synthesis III the purpose of soundtrack restoration Advanced
Techniques 1 cr Foundations in digital theory for application in The study and application of unique performance digital audio recording The study of Analog to techniques used with electronic instruments Digital and Digital to Analog Conversion are covered Tbrough analysis of acoustic and electronic perfor- as well as storage mediums Digital ternimology is mances and study of technical exercises, students explained will learn to control the nuance of performance on
This course is designed to give hands-on experience acoustic ensembles Analysis of the techniques of with various post production and mastering tools electronic orchestration of selected contemporary Proper procedures in formatting and preparing pro. composers in a variety of musical styles Prereq- jects for cassette or CD production are covered Sony uisites Music Synthesis Il and Traditional 1630 operation and mastering is covered Prereq Orchestration u1site Audio IV
Source: Duquesne University's catalog, linked per course · table learning_unit · CourseShelf publish 59