45 courses with the subject MUS, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
MUS 151 Engaging with Music II . A study of improvisational techniques from the jazz tradition. Readings and listening assignments; analysis and performance projects.
MUS 151 Engaging with Music II or permission of the instructor. Focused development of skills and concepts from Engaging with Music I and II, engaging with harmonic syntax, phrase structures, melodic embellishment, tonicization, modulation, borrowed beat divisions, syncopation, swing rhythm, and improvisation.
MUS 251 Theory & Practice in Western Tonal Music . A survey of musical forms from the smallest units of structure (motive, phrase) through binary, ternary, rondo, and sonata forms, as well as fugal practices. Constant analysis of music of all periods embodying various structural principles. Reading and listening assignments; semester project.
MUS 251 Theory & Practice in Western Tonal Music A study of counterpoint focusing on the contrapuntal practices of the Renaissance and Baroque periods. Analysis and written exercises leading to several composition projects. Readings from historical treatises; secondary source readings and listening assignments.
MUS 251 Theory & Practice in Western Tonal Music or permission of the instructor. A systematic study of the capabilities of the instruments of the orchestra in musical composition. A thorough understanding of these capabilities will be mastered through a study of selected works for solo instruments, chamber works, and orchestral literature. Readings and listening assignments; analysis and written exercises; semester project.
MUS 351Theory & Practice in Western Chromatic Music
MUS 251 Theory & Practice in Western Tonal Music or permission of the instructor. Focused development of skills and concepts of Western chromatic music including: mode mixture and altered scale degrees, enharmonic practices, chromatic sequences, common-tone chords and modulations, chromatic key relationships, as well as the melodic and rhythmic features of concert music, ragtime, jazz, the blues, and popular music, including super-subdivided beats, asymmetric meters, cross rhythms, and improvisation.
MUS 352Theory & Practice in Western Post-Tonal Music
MUS 251 Theory & Practice in Western Tonal Music or permission of the instructor An exploration of the extraordinary variety of trends that have evolved in Western concert music since 1900. Students will use appropriate analytical methods for understanding these musics, engage with primary and secondary source readings to understand their context, and compose short pieces using the techniques studied. Topics may include minimalism, atonality, serialism, modernism, impressionism, noise, polystylism, chance operations, improvisation, electronic music, and performance art.
MUS 340, 341 Composition Workshop I & II or permission of the instructor. Individual weekly lessons in advanced music composition. Students will complete substantial self-directed projects leading to performance. Listening and analysis will be assigned as needed. These courses may serve as the CUE in the theory/composition concentration, and may be repeated for credit.
Each internship is to be designed in consultation with a faculty sponsor and an on-site supervisor, and will include an academic project to be defined by and submitted to the faculty sponsor for evaluation. Graded Pass/Fail only.