8 courses with the subject FILM, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
FILM 3090001/00080 W 11:00am - 12:50pm Alice Reagan 1.00 12/123
3 404 Milstein Center FILM BC3091 ARTEMIS RISING SHORT COURSE IN FILM PRODUCTION. 1.00 point. The Artemis Rising Short Course in Film Production is a one-point credit short workshop presented by an Artemis Rising Foundation Filmmaker Fellow (ARFF). It consists of four workshops on a special 3 aspect of film production and one final project. This series was 3 endowed by the Artemis Rising Foundation to bring world-class 3 filmmakers with hands-on experience and fresh perspectives to 3 Barnard to connect with students interested in filmmaking as a 3 vocation and media literacy. It can only be taken for pass/fail for 1 point. Students must attend all four class workshops and produce one 3 final project in order to receive credit for this course. To see the dates/ 3 times that the Artemis Rising Short Course will meet this semester, the current course description, and the biography of the visiting filmmaker, please visit the ARFF website: https://athenacenter.barnard.edu/arff Fall 2025: FILM BC3091 Course Section/Call Times/Location Instructor Points Enrollment
- Subject
- FILM
- Credits (min)
- 3
- Credits (max)
- 3
- Type
- course
- Edition
- 2025-2026
- Source
- catalog.barnard.edu
FILM 3200002/00082 Th 2:10pm - 5:30pm Daniel Pfeffer 3.00 8/12
105 Milstein Center FILM BC3201 INTRO FILM # MEDIA STUDIES. 3.00 points. information about the world from visual media. Social networks, television, cinema: all shape our aesthetic sensibilities and our political visions. Yet we often lack a basic understanding of what could be called “visual literacy.” This introductory course gives students the ent critical tools to analyze how film and other visual media really work – in order to appreciate their artistic and social achievements, as well as to guard against their insidious manipulative devices. In the first part of the semester, we focus on film analysis through a detailed study of ent the different production phases of filmmaking – from screenwriting and mise-en-scène to editing and film scoring. We pay special attention to the way in which certain stylistic and narrative choices have particular ideological effects. The second part of the course looks at film history through a comprehensive, chronological overview of its main movements and periods, including the coming of sound in Hollywood cinema, post-war Italian Neorealism, the emergence of world auteurs, New Waves of the 1960s and 1970s, etc. Students will use the hermeneutical tools learnt in film analysis to intellectually engage with some masterworks of film history. In the third and final part of the semester, we study the major debates of film theory from perspectives such as auteurism, formalism, psychoanalysis, Marxism, feminism, postcolonial and queer studies, etc. Required screenings include Nanook of the North (Flaherty, 1922), Sunrise (Murnau, 1927), Man with a Movie Camera (Vertov, 1929), Casablanca (Curtiz, 1942), Bicycle Thieves (De Sica, 1948), Rashomon (Kurosawa, 1950), Breathless (Godard, 1960), Belle de Jour (Buñuel, 1967), The Hour of the Furnaces (Solanas, 1968), Seven Beauties (Wertmüller, 1974), Blue Velvet (Lynch, 1986), Paris Is Burning (Livingstone, 1990), and Children of Men (Cuarón, 2006) Fall 2025: FILM BC3201 Course Section/Call Times/Location Instructor Points Enrollment
- Subject
- FILM
- Type
- course
- Edition
- 2025-2026
- Source
- catalog.barnard.edu
- Prerequisite
- Open to first-year students. We derive much of our
FILM 3245001/00652 T 2:40pm - 6:25pm Ben Alexander 3 20/60
323 Milbank Hall Barnard College Catalogue 2025-2026 367 FILM BC3250 ADAPTATION. 3.00 points. In the same way that there can never be a single objective account of an historical event, using one medium to convey a story first told in another is never as straightforward as it might seem. Translating the essence of an existing story to the screen may require making significant changes to the events or characters as they were originally presented. As a screenwriter faced with such an adaptation, you must understand the idiosyncrasies of your craft well enough to recognize what to keep, what to change, and what to leave behind. This course will explore what makes a screen story work, balancing faithfulness and invention Fall 2025: FILM BC3250 Course Section/Call Times/Location Instructor Points Enrollment
- Subject
- FILM
- Type
- course
- Edition
- 2025-2026
- Source
- catalog.barnard.edu
FILM 3275001/00780 M 12:10pm - 3:00pm Yael Bridge 3.00 8/12
404 Milstein Center FILM BC3278 DIGITAL PRODUCTION. 3.00 points. equivalent). Digital Production offers visual storytellers an incredible medium to connect and build an audience. It is an inexpensive, accessible platform to launch micro-budget concepts. Developing the storytellers voice inexpensively is critical to the evolution of any student, no matter their starting point. The Digital Series course is intended to take students from story ideation through creation of an independent digital series. Emanating from a writers room setting, all steps of the process will be explored and supported by in-class discussion, examples and workshops. This hands-on class revolves around the TV series production model: breaking story, writing pages, preproduction planning, filming and post-production review. We will emphasize the writers voice, construction of series storytelling, and establishing realistic scopes of production Fall 2025: FILM BC3278 Course Section/Call Times/Location Instructor Points Enrollment
- Subject
- FILM
- Type
- course
- Edition
- 2025-2026
- Source
- catalog.barnard.edu
- Prerequisite
- both FILM BC3201 (or equivalent) and FILM BC3200 (or
FILM W2400Script Analysis
FILM UN3020 INTERDISCIPLINARY STUDIES FILM UN3920 SENIOR SEM IN SCREENWRITING FILM UN3925 NARRATIVE STRAT-SCREENWRITING FILM UN3930 The Actor's Art: Jeanne Moreau FILM BC3245 American Television Drama Please note: 1. The prerequisite for all classes is Introduction to the Study and Theory of Film, open to first-year students. 2. The Senior Seminar requirement can be fulfilled at Columbia in the fall or at Barnard in the spring. 3. The Film Program does not offer Independent Study. Barnard College Catalogue 2025-2026 365 4. There is no minor in Film Studies. 5. Regretfully, auditors are not allowed in Barnard Film Production or Screenwriting classes. FILM BC3090 ARTEMIS RISING SHORT COURSE IN FILMMAKING. 1.00 point. The Artemis Rising Short Course in Filmmaking is a two to four- week course offered each semester on a special topic of filmmaking presented by an Artemis Rising Foundation Filmmaker Fellow (ARFF). This series was endowed by the Artemis Rising Foundation to bring world-class filmmakers with hands-on experience and fresh perspectives to Barnard to connect with students interested in filmmaking as a vocation and media literacy. It can only be taken for pass/fail for 1 point. Students must attend all four class sessions 3 and write a final paper in order to receive credit for this course. To see the dates/times that the Artemis Rising Short Course will meet this semester, the current course description, and the biography of the visiting filmmaker, please visit the ARFF website: https:// athenacenter.barnard.edu/arff 3 Spring 2026: FILM BC3090 Course Section/Call Times/Location Instructor Points Enrollment
- Subject
- FILM
- Type
- course
- Edition
- 2025-2026
- Source
- catalog.barnard.edu
Source: Barnard College's catalog, linked per course · table learning_unit · CourseShelf publish 61
