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Barnard College · Courses

MUSI UN

5 courses with the subject MUSI UN, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.

MUSI UN2010ROCK3.00

How did Elvis become the “King of Rock’n’Roll” instead of, for example, Chuck Berry? Who are LaVern Baker, Sister Rosetta Tharpe, and Etta James and what do they have to do with rock and roll? Why and how did “rock and roll” become “rock”? What are the relationships among rock, rhythm and blues, soul, and funk? What do classical music composers such as J.S. Bach, Modest Mussorgsky, and Philip Glass have to do with rock? How many times has rock “died”? What is rock music’s relevance both historically and today? This course will introduce you to popular music studies, a field of inquiry that draws scholars from a number of different disciplines, including musicology, sociology, philosophy, anthropology and literature. Examining rock music in an interdisciplinary way has opened the genre to increasing attention beyond musicological methodologies and assumptions. First, however, we must ask some fundamental questions: for instance, what, exactly, is popular music as well as, importantly, what differentiates rock music from other genres? Our definitions will reveal some of the assumptions we bring to any discussion of popular music. Throughout this semester, we will question our assumptions about rock music culture through an investigation into a series of keywords. Each keyword will focus our attention on various aspects of rock music in order to think through the complexities of what might, on the surface, seem self-evident. Terms such as “genre” or “the everyday” will be examined to help us gain critical analytical tools with which to assess various rock music productions, artists, and processes

Subject
MUSI UN
Credits (min)
3
Credits (max)
3
Credit unit
points
Type
course
Edition
2026
Source
catalog.barnard.edu
MUSI UN2016JAZZ3.00

The musical and cultural features of jazz, beginning in 1900

Subject
MUSI UN
Credits (min)
3
Credits (max)
3
Credit unit
points
Type
course
Edition
2026
Source
catalog.barnard.edu
MUSI UN2020SALSA, SOCA & REGGAE3.00

CC/GS/SEAS: Partial Fulfillment of Global Core Requirement A survey of the major syncretic urban popular music styles of the Caribbean, exploring their origins, development, and sociocultural context.

Subject
MUSI UN
Credits (min)
3
Credits (max)
3
Credit unit
points
Type
course
Edition
2026
Source
catalog.barnard.edu
MUSI UN2030JEWISH MUSIC IN NEW YORK3.00

With the arrival of the first Jewish immigrants in New York in the mid-1600s until today, Jewish music in the City has oscillated between preserving traditions and introducing innovative ideas. This course explores the variety of ways people have used music to describe, inscribe, symbolize, and editorialize their Jewish experience. Along these lines, it draws upon genres of art music, popular music, and non-Western traditions, as well as practices that synthesize various styles and genres, from hazzanut to hiphop. Diverse musical experiences will serve as a window to address wider questions of identity, memory, and dislocation. We will also experience the Jewish soundscape of New York’s dynamic and eclectic music culture by visiting various venues and meeting key players in today’s music scene, and thus engage in the ongoing dialogues that define Jewishness in New York. A basic familiarity with Judaism and Jewish culture is helpful for this course, but it is by no means required. You do not need to know Jewish history to take this class, nor do you need to be able to read music. Translations from Hebrew and Yiddish will be provided, and musical analysis will be well explained. Fall 2026: MUSI UN2030 Course Number Section/Call Number Times/Location Instructor Points Enrollment MUSI 2030 001/11268 M W 11:40am - 12:55pm 716 Hamilton Hall Tina Fruehauf 3.00 24/25

Subject
MUSI UN
Credits (min)
3
Credits (max)
3
Credit unit
points
Type
course
Edition
2026
Source
catalog.barnard.edu
MUSI UN2320Introduction to Music Cognition3.00

The aim of music cognition is to understand the musical mind. This course is an introduction to a variety of key topics in this field, including human development, evolution, neural processing, embodied knowledge, memory and anticipation, cross-cultural perspectives, and emotions. The course explores recent research on these topics, as well as ways in which this research can be applied to music scholarship. Readings are drawn from fields as diverse as music theory, psychology, biology, anthropology, and neuroscience, and include general works in cognitive science, theoretical work focused on specific musical issues, and reports of empirical research

Subject
MUSI UN
Credits (min)
3
Credits (max)
3
Credit unit
points
Type
course
Edition
2026
Source
catalog.barnard.edu

Source: Barnard College's catalog, linked per course · table learning_unit · CourseShelf publish 61