13 courses with the subject EAAS GU, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
EAAS GU4122Japanese New Wave and Cinematic Modernism4
This course will delve into an analytical reconsideration of postwar Japanese cinema specifically from the perspective of the Japanese New Wave. While we will aim to capture the exhilaration of the Japanese New Wave by closely analyzing existing studies on some of its key makers and their works, special attention will be given to what is left out of the category as it is conventionally understood, drawing on marginalized works and genres, such as educational and industrial films as well as pink films. Spring 2026: EAAS GU4122 Course Number Section/Call Number Times/Location Instructor Points Enrollment EAAS 4122 001/13134 M 4:10pm - 6:00pm 522c Kent Hall Takuya Tsunoda 4 19/19
This course investigates the theories and practices of documentary film in Japan. Spanning from the 1920s to the present, we will engage in rigorous examination of the transformations of cinematic forms and contents, and of the social, cultural, and political elements bound up with those transformations. We will also juxtapose aspects of Japanese documentary film with global movements, and wider theories of documentary and non-fiction. Fall 2026: EAAS GU4123 Course Number Section/Call Number Times/Location Instructor Points Enrollment EAAS 4123 001/12164 W 4:10pm - 6:00pm 405 Kent Hall Takuya Tsunoda 4 23/23
This course examines the processes of colonization that played a central role in locating Korea in an integrated world in the first half of the twentieth century. We will analyze the ways in which the intersections among an array of contemporary global issues and concerns (to name a few- social Darwinism, migration, urban space, gender, sexuality, militarism, race, liberalism, socialism, capitalism) shaped the modern experience in Korea under Japanese rule (1910-1945). Our approach will be multidisciplinary. We will look, for example, at art, architecture, literature, film, philosophy, religion, and historiography. Throughout, we will pay special attention to the place of Korea and Koreans in the expanding Japanese empire and, more broadly, in the global colonial context. Class will be held as a discussion seminar based on close reading of primary-source documents and recent scholarship.
This is a seminar for advanced undergraduates and master’s degree students, which explores the socioeconomic consequences of China’s development of a boom, urban residential real-estate market since the privatization of housing at the end of the 1990s. We will use the intersecting lenses of gender/sexuality, class and race/ethnicity to analyze the dramatic new inequalities created in arguably the largest and fastest accumulation of residential-real estate wealth in history. We will examine topics such as how skyrocketing home prices and state-led urbanization have created winners and losers based on gender, sexuality, class, race/ethnicity and location (hukou), as China strives to transform from a predominantly rural population to one that is 60 percent urban by 2020. We explore the vastly divergent effects of urban real-estate development on Chinese citizens, from the most marginaliz4d communities in remote regions of Tibet and Xinjiang to hyper-wealthy investors in Manhattan. Although this course has no formal prerequisites, it assumes some basic knowledge of Chinese history. If you have never taken a course on China before, please ask me for guidance on whether or not this class is suitable for you. The syllabus is preliminary and subject to change based on breaking news events and the needs of the class
EAAS GU4236China's Long 1980s: Interrogating the Cultural Politics of Reform and Opening4.00
This course examines experiences and legacies of China’s “long 1980s” (1978-1992), a period of “reform and opening” with lasting impacts on contemporary discourses and realities. It introduces students to a wide range of primary materials (in English translation), including cinema, literature, photography, contemporary art and other social commentaries, along with theoretical readings and secondary literature from a variety of disciplines including literary and media studies, and social, economic, intellectual and art histories. Topics include politics of rehabilitation at the end of the Cultural Revolution; political and artistic movements of the Beijing Spring; cultural productions amidst rural and urban economic reforms; humanism and cybernetic imagination; extractive economies and environmental transformation; gender and financialization; and China’s integration into the world economy
This course examines historical narratives and record-keeping in premodern Korea, focusing on the Chosŏn dynasty (1392–1910). It explores writing as a medium of power that shaped politics, social order, gender relations, and cultural identity. Through diverse texts, including official chronicles, didactic texts, memoirs, and (auto)biographies, students will analyze how individuals and institutions used writing to assert authority, express dissent, and document their lives
EAAS GU4412History of Writing in a Cosmopolitan East Asia3
This course examines the invention of writing in ancient China, and its spread across the continent to emerging cultures in Korea, Japan, and Vietnam. We then examine how Korean, Japanese, and Vietnamese societies adapted Sinitic writing to create new "vernacular" scripts for their own respective languages, and how these scripts and literary traditions coexisted alongside--and eventually eclipsed--Sinitic writing and language by the 20th century. Spring 2026: EAAS GU4412 Course Number Section/Call Number Times/Location Instructor Points Enrollment EAAS 4412 001/13138 M W 4:10pm - 5:25pm 413 Hamilton Hall John Phan 3 17/20
Designed for both undergraduate and graduate students, this course introduces Tibetan belles-lettres and vernacular works (all in English translation) spanning from the imperial period to the present day. We will engage in close readings, together with discussion of the genre each text represents and its salience in current Tibetan intellectual discourse. In the final four weeks, we will read landmark works from the post-Mao period, with a view to the negotiation of traditional forms amidst the advent of new literary genres and the economics of cultural production. Questions to address include: How have Tibetan literary forms and content developed throughout history? How has the very concept of "Tibetan literature" been conceived? How have Tibetan writers and scholars—past and present—negotiated literary innovation? Each session will consist of a brief lecture followed by discussion. Lectures will incrementally provide students with a general timeline of Tibetan literary and related historical developments, as well as biographical material regarding the authors assigned for that week. Tibetan language students and heritage learners will be offered three optional sessions to read excerpts of selected texts in Tibetan
EAAS GU4565TIBET IN THE WORLD: CULTURAL PRODUCTION AND SOCIAL CHANGE4.00
This course explores the intersection of cultural production with national policies and global economies in the context of Tibet. We will focus not on colonial sources (Mythos Tibet) but on a wide range of representational and expressive practices by contemporary Tibetans in film, literature, music, social media, art, performance, local museums, etc. -- all since the 1990s. Tibetan cultural production today is at once localized and transnational, whether it is the vision and work of artists in the People's Republic of China or the creation of Tibetans living in the diaspora. We will explore the impact of colonialism and socioeconomic marginalization on the de-centering and re-centering of ethnicity and identity in education, publishing, and the arts. How do Tibetan artists, musicians, filmmakers, writers, comedians, and other cultural producers negotiate the complexities of modernity, secularization, globalization and political agendas, vis-à-vis incentives to preserve traditions, while engaging creatively? Each week will focus on 2 to 3 primary sources and 1 or 2 related secondary readings. Our discussions of the primary source materials (film screenings, readings, artwork, performances, etc.) will be enriched with readings in Cultural Studies, sociology, and anthropology, and by conversations with area artists
What defines a “documentary” film? How do documentaries inform, provoke and move us? What formal devices and aesthetic strategies do documentaries use to construct visions of reality and proclaim them as authentic, credible and authoritative? What can documentary cinema teach us about the changing Chinese society, and about cinema as a medium for social engagement? This seminar introduces students to the aesthetics, epistemology and politics of documentary cinema in China from the 1940s to the present, with an emphasis on contemporary films produced in the past two decades. We examine how documentaries contended history, registered subaltern experiences, engaged with issues of gender, ethnicity and class, and built new communities of testimony and activism to foster social change. Besides documentaries made by Chinese filmmakers, we also include a small number of films made on China by western filmmakers, including those by Joris Ivens, Michelangelo Antonioni, Frank Capra and Carma Hinton. Topics include documentary poetics and aesthetics, evidence, performance and authenticity, the porous boundaries between documentary and fiction, and documentary ethics. As cinema is, among other things, a creative practice, in this course, students will be given opportunities to respond to films analytically and creatively, through writing as well as creative visual projects
EAAS GU4615Tibetan Rivers and Roads: Infrastructure, Environment ＆ Urban Lives4.00
This course examines the transformation of natural environments, rural and urban landscapes on the Tibetan Plateau in the 20th and 21st centuries, with a special emphasis on the material and social lives of rivers, roads and infrastructure. We will draw on primary source readings (in English) and maps, as well as secondary readings in anthropology and human geography, to examine the processes of infrastructure creation, national integration, urbanization and adaptation in the Tibetan regions of China
EAAS GU4730Science and Technology in Chinese Media Cultures4.00
Covering a period from the late 19th century to the present, this class explores how ideas and practices in science and technology have historically entered popular imagination, social organization and political contestation, as they become mediated by various media forms and technologies such as photography, cinema, novels, television, video, internet platforms and data algorithms. In particular, we focus on how science and technology have shaped our understandings of the human body, and impacted on the various bodily experiences, from perception, cognition, to emotion and connection with others in the environment. This class helps students read media artefacts in a historically grounded and conceptually generative way, understanding media artefacts as historically conditioned, yet offering us resources for envisioning the future
