55 courses with the subject THEA, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
PROD:SCENE & LIGHT (A) A brief introduction to the technical aspects of production in set, lights, sound and props. Extensive work in MBU theatre productions is required. No previous knowledge is necessary. 2021-22 Catalog
The Theatre Department’s first level acting course. This course takes students through the beginning steps of developing the mind, body, and voice of the actor. Through a series of exercises, speeches and scene work students will learn the basic tenants of acting including; memorization, action, intention, character, given circumstances, storytelling, script analysis and theatrical structure. Students will participate in scene work and monologues where the tools of the actor are honed through repetition and performance in front of their peers. In class exercises along with outside rehearsal help the actor identify creative inspiration, experience the joys of risk-taking in live performance, all in a format that requires personal commitment as well as commitment to others. No previous acting experience is required. This course is a prerequisite for further acting courses. 2021-22 Catalog
Students develop and practice the duties and skills of the stage manager in facilitating and organizing a show from planning through auditions, rehearsals, performances, tours, and strikes. Special emphasis on the stage manager’s role in a group process, as a problem preventer and solver, and as a morale officer. Alternate years. 406
(I) Study-travel in London and to Stratford-upon-Avon. Course fee includes air transportation from Washington DC, hotel, theatre tickets, and all scheduled performances and activities. The course must be taken P/NC and may be repeated for credit.
DRAMA IN CONTEXT (T) Shakespearean Drama in Context is a course that asks students to study Shakespeare’s plays in the context of adaptation. It focuses on Shakespeare as a playwright whose work has been adapted over time, but also as a playwright who frequently imitated and adapted the work of others in his own time. In so doing, students re-evaluate the concept of Shakespeare as "singular" and "unique," to understand his plays - and all plays - as part of a process rather than an end product.
A two year sequence covering topics valuable to theatre majors including play readings, workshops in audition, resumes, graduate school application, guest lectures, etc. Required for majors. Open to other students with permission of theatre faculty.
This course allows students accomplished in acting to concentrate on their own areas of difficulty or experience with specific emphasis on portfolio and audition. This course may be repeated for credit.
& REVOLUTION (H) This course explores the history, theory, and current practice of public performance as a tool for activism, protest, and revolution in global contexts and foregrounds theatre’s power to disrupt hierarchies and effect social change. The course blends investigation of representative movements and practitioners like Theatre of the Oppressed, Voina, and Bread and Puppet Theatre with a twin focus on contemporary strategies blending theatricality, protest, and resistance in action today. This course includes some hands- -on work with the techniques, methods, and strategies of revolutionary and activist theatre--making as well.
This final course for theatre majors surveys Western theatre history and drama from the Restoration to the present. Through a series of paper projects, students examine canonized plays in relation to their specific cultural and theatrical contexts. Required of the theatre major; open to other students by permission of the instructor.