SRT

38

Subject

SRT

Credits (min)

3

Credits (max)

3

Type

course

Source

www.mc3.edu

SRT Software Workshop I is a breakout course that introduces students to specialized sound recording and music technology software. Students expand upon what they have learned in SRT 104 and MUS 140 by applying new techniques in recording, editing, sequencing and signal processing in current software applications. The course focuses on various processes within software packages such as Melodyne, Reason and ProTools. Students participate in task-oriented projects where they are introduced to the procedures, methods, and operation of specialized software. This course is subject to a course fee. Prerequisites:

Subject

SRT

Credits (min)

2

Credits (max)

2

Type

course

Source

www.mc3.edu

WORKSHOP I................................................................................. Live Sound Recording and Reinforcement Workshop I is a breakout course that introduces students to the principles and practice of live sound recording and reinforcement. The course focuses on system components, set-up, management, mixing and troubleshooting, as well as principles and concepts fundamental to live sound recording and reinforcement. Students participate in task-oriented workshops where they are introduced to the procedures, methods, and operation of live sound equipment. They obtain hands-on industry experience in recording and reinforcement at various local venues featuring live performances. This course is subject to a course fee. Prerequisites:

Subject

SRT

Type

course

Source

www.mc3.edu

This course introduces students to the vocabulary, tools and fundamental techniques of manipulating digital audio and video content. Computer systems make it accessible for new users to take audio and digital information as input, to combine it using custom rules they develop and to produce new kinds of sounds, songs and interactive videos. This course is subject to a course fee.

Subject

SRT

Credits (min)

2

Credits (max)

2

Type

course

Source

www.mc3.edu

The successor to the Artists-and-Repertoire executive of pop's golden era, the producer, stands at the point of intersection between a recording's human element and its increasingly advanced technological aspect. Often a producer's work results in a signature style or "sound"; if this sound is especially novel or musically persuasive, top recording artists may energetically seek the producer out. SRT 159 will explore the art and history of production as it relates to music past and present. Students will experience the original recordings of great songs recorded by great producers. Emphasis will be placed on the differences between producers and their individual styles, identifying key production techniques, and utilizing them in recordings that students will produce themselves. This course is subject to a course fee. Prerequisites:

Subject

SRT

Credits (min)

2

Credits (max)

2

Type

course

Source

www.mc3.edu

A survey of the history and evolution of Sound Recording and Music Technology and its impact on the recording industry, music, and society. Topics include the development of sound technology in the U.S. and Europe, the birth of the recording industry, and how recording sound influenced music and created current and emerging technologies. Emphasis is placed on understanding the evolution of sound recording technology and its impact on music and the recording industry. Prerequisites:

Subject

SRT

Type

course

Source

www.mc3.edu

This breakout course is a continuation of SRT 130 and further explores specialized sound recording and music technology software. Students expand upon what they have learned in SRT 130, SRT 250 and MUS 141 by applying new techniques in recording, editing, sequencing and signal processing in current software applications. The course focuses on projects where the student is introduced to specialized software such as, Melodyne, Reason and Abelton Live. Students participate in task-oriented projects such as mixing, signal processing, organization of session files and creative thinking. This course is subject to a course fee. Prerequisites:

Subject

SRT

Credits (min)

2

Credits (max)

2

Type

course

Source

www.mc3.edu

WORKSHOP II..................................................................... This breakout course is a continuation of SRT 131 and further explores the principles and practice of live sound recording and reinforcement. The course focuses on system components, set-up, management, mixing and troubleshooting, as well as principles and concepts fundamental to live sound recording and reinforcement. Students participate in task- oriented workshops where they are introduced to the procedures, methods, and operation of live sound equipment. They obtain hands-on industry experience in recording and reinforcement at various local venues featuring live performances. This course is subject to a course fee. Prerequisites:

Subject

SRT

Type

course

Source

www.mc3.edu

This course is a continuation of studies begun in MUS 241 The Business of Music. Students will focus in the individual elements of the Music Business Marketing Plan created in the previous course and the realization of that plan with an in depth focus in online music marketing, promotion strategies, social media, legal structuring of the business and the financial considerations that go with running a business. Recommended but not required: MUS 140 (Introduction to Digital Music Technology) and/or MUS 240 (The Art and Business of Songwriting). Prerequisites:

Subject

SRT

Type

course

Source

www.mc3.edu

This course introduces students to the theory and practice of sound recording technology and music production. Students are introduced to sound recording and engineering techniques including multi-track music recording, mixing, editing, and signal processing. Emphasis is placed on the procedures and processes of preparing for and carrying out a basic production from start to finish. Students act as the sound engineer and embody other production roles. Students work to expand their aesthetic understanding, analyze sound through engineering, mixing and participate in a series of critical listening workshops. This course is subject to a course fee. Prerequisites:

Subject

SRT

Credits (min)

2

Credits (max)

2

Type

course

Source

www.mc3.edu

This course explores the theory and practice of sound recording technology and music production. Emphasis is placed on the technical application of multi-track music recording, mixing, editing, signal processing, and MIDI recording. Students oversee and participate in productions from the early stages of conception, through the process of distribution. Students expand their aesthetic analysis of sound through a series of critical listening assignments. This course is subject to a course fee. Prerequisites:

Subject

SRT

Credits (min)

2

Credits (max)

2

Type

course

Source

www.mc3.edu

The sound recording producer, as the person most immediately responsible for making a recording, often needs a strong grasp of various recording techniques as well as interpersonal skills which reflect an understanding I of human psychology, as well as technical expertise. In the hip-hop & R&B genre, where the creation of a recording and the act of providing a ars distinctive sonic quality may be one and the same, therefore, artists are often listed as their own producers. SRT 259 will explore music production from both the artist's and producer's perspective, while distinguishing between the two perspectives. Students will create individual productions using various techniques introduced in class which will build upon what was learned in SRT 159. Emphasis will be placed on individual and group critique where students analyze and discuss the various student productions based on the theory and techniques of production. This course is subject to a course fee. Prerequisites:

Subject

SRT

Type

course

Source

www.mc3.edu

SRT or MUS Elective - SRT or MUS Elective - MUS 120 or any other SRT or MUS course not already required for the program.................................. 3 SRT 230 or SRT 231 - SRT Software Workshop II or Live Sound Recording and Reinforcement II....................................................................................1 TOTAL PROGRAM CREDITS: 60-62

Subject

SRT

Credits (min)

1

Credits (max)

1

Type

course

Source

www.mc3.edu

INTERNSHIP...................................................................... This course is an internship in a college-approved sound recording and music technology facility. It provides an opportunity for students to both experience and increase their understanding of employment within the Sound Recording and Music Technology industry. The course requires students to obtain an internship at a sound recording facility where they work under the direct supervision of a supervisor in the facility for 150 total hours. In addition the student is required to maintain direct and consistent contact with an assigned Sound Recording and Music Technology Program faculty member. Students are rated by the employer on their job performance as part of the evaluation by the Sound Recording and Music Technology Program faculty member. This course is subject to a course fee. Prerequisites:

Subject

SRT

Type

course

Source

www.mc3.edu