59 courses with the subject TVR, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
TVR 10100Introduction to Media Production (NLA)4
An applied, practical introduction to the fundamentals of audio and video electronic media production. Covers theory, terminology, and techniques, with an emphasis placed on the function and operation of various analog and digital equipment. The basic technical and aesthetic skills of both radio production and television studio production are covered. Open to sport media majors in the spring semester. (IRR) Attributes: CCCS
Introduction to Audio Production is a practical, applied introduction to the fundamentals of sound theory and audio production for media. In this course, students will learn and practice basic techniques for recording, editing, and mixing sound. Additionally, they will gain hands-on experience in field sound recording and an introduction to Pro Tools. (F,S) Attributes: CCCS, PROD
TVR 11500Introduction to Television and Film Production (NLA)4
Introduction to television and film production techniques, including digital camera operation, editing, lighting, scripting, media aesthetics, an logistics. Students will develop both their creative and technical skills through a combination of preproduction, production and post production exercises, projects, readings, and critiques. (F,S) Attributes: CCCS, PROD
Survey of American mass media with emphasis placed on the historical development, structure, organization, function, and effects of mass media in society. Discussion includes issues such as ethnic, racial, age, and sex- role stereotyping; violence; children and the media; and economic control and the role of governmental regulation. (IRR) Attributes: SCE
An introduction to law, lawyers, juries, and the legal system as portrayed in dramatic, news, and documentary television programming as well as in popular films. This course will study how the media and the legal system influence each other. Ethical issues concerning how the media portrays the legal system to the audience will be analyzed. Concepts including double jeopardy, jury tampering, hung juries, new trials, judicial misconduct, appeals processes, and judicial corruption will be discussed as they relate to the various contemporary television programming and films to be viewed in class. When possible, local judges or lawyers will appear on a discussion panel. (S)
TVR 20600British Media and the Global Context (LA)3
Studies key aspects of British media in historical and cultural contexts. Students will research specific case studies of British media's global spread, influence, and links with global economy and culture. This course is offered only through the Ithaca College London Center. Prerequisites: Sophomore standing; acceptance into the Ithaca College London program. (Y)
Investigates the range of business and economic models applicable to new and emerging media industries. Critiques business models that drive traditional media industries and reviews the economic and social viability of alternative business models for emerging media. Emerging media and television-radio majors. Prerequisites: TVR 12400. (Y)
Previously learned skills will be amplified, enhanced, and refined through a combination of in-class exercises and outside projects with equal attention to form and content. Emphasis will be placed on the development of ideas, storytelling, and greater sophistication in all areas of television series production. Prerequisites: TVR 11500 or CNPH 11100. (F,S) Attributes: PROD
TVR 22500Television Production and Direction (NLA)4
This intermediate studio television production course builds upon basic production techniques. Multi-camera aesthetic theories will be applied in creative studio productions. Prerequisites: TVR 10700. (F-S) Attributes: PROD
TVR 26000Quantitative Mass Media Research Methods (LA)3
A basic introduction to quantitative research methods in mass communications, including sampling, survey, experimental, and content analysis. Review of literature, identification of basic concepts, problems, responsibilities, and research ethics; procedures and basic techniques of computer data analysis. A research project is required. Prerequisites: TVR 12100 or TVR 12400. (IRR)
TVR 26200Qualitative Mass Media Research Methods (LA)3
A basic introduction to theories and research skills used in qualitative research as applied to mass communication. Major topics include cultural studies theories, ethnography, historical research, depth interviews, qualitative content analysis, and focus groups. Review of literature, identification of basic concepts, problems, and responsibilities. A research project is required. Prerequisites: TVR 12100 or TVR 12400. (IRR) Attributes: CCRM
TVR 28400A Brief History of Television Comedy (LA)1
This course studies key aspects of television comedy in historical and cultural contexts. Students will research specific comedians and their influence on the development of television programing and distribution through written and an oral presentation. Students will attend presentations, museum exhibitions and examine archive materials at the National Center for Comedy. (S)
TVR 2920029309 Minicourses in Communications (NLA)1-2
A series of short courses in specialized areas of communication that do not meet the College guidelines for liberal arts designation. Visiting lecturers and faculty of the school participate in areas of their expertise. May not receive credit for both GCOM 29219 and TVR 29201. HomerConnect each semester. Pass/fail. (IRR) 2026-2027 Catalog 289
Vary depending on the topic; refer to the class schedule on
TVR 29800Exploring the Documentary (LA)
An exploration of the documentary with an emphasis on history and appreciation, useful to consumers and producers who would like to learn more about the form. Topics include documentary "truth," subgenres, production styles, and evolution of documentary from cinema to television and the World Wide Web. Prerequisites: CNPH 10100 or
An intermediate-level documentary production course that emphasizes the production skills, the storytelling concepts, and the legal and ethical framework for successful documentary productions. Also covered are different stylistic approaches to the genre, concepts related to the documentary maker's "voice" within his or her work, subgenres within the documentary format, and distribution, fund-raising, and research strategies. Prerequisites: TVR 11500 or CNPH 11100. (Y) Attributes: PROD
An advanced studio television course expanding on established production skills acquired in previous courses while introducing additional concepts and techniques required for complex multicamera productions. Through producing, writing, and directing a variety of programs, students will apply production theories and concepts within a digital production environment. Prerequisites: TVR 11500; TVR 22500. (F-
This course examines the legal boundaries to freedoms of speech and press, both historically and present-day. Students learn practical applications of First Amendment rights concerning mass communication, while also investigating fundamental theories of free speech and specific issues impacting contemporary society. Course topics include government regulation of media; intellectual property (copyright and trademark); commercial speech; defamation; privacy; access to places and information; political speech; media and the judiciary; corporate speech; and reporter/source confidentiality. This course offers a combination of discussion, lecture and exercises. The incorporation of current free speech issues help to guide and inform class discussions. or STCM course at level-100, or LGST course at level-100. (F,S) Attributes: LMAL, LMEL, LSCO
Any TVR course at level-100, or JOUR course at level-100,
TVR 3130031305 Topics in Media Law and Policy (LA)
Overview of First Amendment theory, legal precedent, copyright, libel, and privacy, followed by an in-depth investigation of specific media law and policy issues determined by faculty expertise and student interest.
TVR 12100, TVR 12400, JOUR 11100, STCM 10300, or any
TVR 31500Television Series Directing (NLA)4
This course has two primary agendas, one aesthetic and one technical. The aesthetic focus is on directing, creative authorship, personal vision, and the exploration of strategies and methods for transforming vision into reality. The technical focus is on increasing sophistication and skill within specific areas of television series production: directing, camera work, lighting, production design, production planning, and video editing. Attributes: PROD
Examines the development of new technologies and communication networks. The structure of the marketplace, government policy, and the social impacts of new technologies are discussed. Issues such as globalization, computer security, privacy, and changes in regulations may be covered. Prerequisites: TVR 12100 or TVR 12400; two level-2 courses in one or more of the following fields: television-radio, psychology, sociology; junior standing. (F-S)
TVR 32500Seminar in Development Communications (LA)3
A forum for discussion and analysis of various issues involved in the use of mass media in the development effort of third world countries. Examples in a number of African and Asian nations are used to illustrate the use of media support in the development process, successfully or otherwise. External and internal forces that affect media implementation are analyzed. The issue of a communications workforce, its lack in third world countries, and its impact on the present state of affairs are discussed. Prerequisites: Three courses in social sciences; junior standing. (IRR)
TVR 32700Program Development for Film, Television and Digital Media4
(NLA) Exploration and application of the creative process for developing program content for entertainment media industry. Students will work with true events or novels for features, television movies, series and Internet distribution. Analysis of creative properties and case studies will exemplify the most effective means for producers, writers, directors, and programmers to develop concepts for the theatrical and television marketplace. Prerequisites: CNPH 10100 OR TVR 12400. (Y)
This course is designed to introduce students to the processes and skills required to perform for on camera media. Students will hone their skills both by performing scripted and non-scripted materials for visual mass media. Students will participate by writing content and completing assignments, which are designed to be consumed by mass audiences. (Y) Attributes: PROD
Guides students through developing a media production idea into a written treatment, a pitch, and potentially other material that will help describe an achievable final thesis project. Project ideas developed in this class can take many forms and genres. They could be but are not limited to: Short fiction or documentary/reality-based projects in video or audio form, single camera style shooting or multi-cam shooting style, projects designed to be produced in the studio or on location, or a short, animated film. Developing the Thesis Project is required for Senior Media Thesis. above. (S) Attributes: PROD 2026-2027 Catalog 291
At least two PROD attribute courses at the 200 level or
TVR 4000040004 Topics in Media Production (NLA)1-4
Exploration of a specific area of advanced media production through focused study and application. Topics will vary. Offerings may include, but not be limited to advanced remote multi-camera production; broadcast performance, advanced techniques in directing and producing; advanced studio and location lighting; advanced animation; 3-D modeling and special effects. Prerequisites: Junior standing, television-radio, cinema and photography, film, photography and visual arts, or emerging media major; permission of instructor. (Y) Attributes: PROD
TVR 43100Advanced Writing for Television and Radio (NLA)3
Practice and guidance for advanced students in writing television scripts, with special attention in conference to individual writing problems. Prerequisites are either option A: TVR 13400, TVR 33300, WRTG 10600, or WRTG 10700; or option B: CNPH 10100, CNPH 23300, CNPH 33300. (S)
Working as part of a team, the student designs, develops, and documents a significant emerging digital media project under the guidance of one or more faculty members. TVR 48500 and COMP 48500 are cross listed courses; students cannot receive credit for both COMP 48500 and TVR 48500. Prerequisites: COMP 38500 or TVR 38500 with a minimum grade of C-. (S, Y) Attributes: PROD
Jointly supervised work experience with a cooperating institution or corporation in the field of communications, intended to motivate the student toward professional growth through observation and participation, to provide opportunities to meet active professionals, and to stimulate career planning. Skill and academic knowledge are put into practice. May be repeated. Total credits may not exceed 12, including London and Los Angeles internships. Pass/fail only. Prerequisites: Junior television-radio, journalism, or media studies major or minor; completion of Park School internship procedures. (F,S)
Total Credits 12 Credits Department of Journalism James Rada, Professor and Chair 4 The Department of Journalism offers a bachelor of arts in journalism and 4 a journalism minor. Choose Majors and Minors tab above or links below 8 to review program requirements. B.A. Journalism - James Rada, Professor and Chair The bachelor of arts in Journalism offers an integrated curriculum designed to prepare students for careers in multimedia journalism, as 20 well as media relations, law, and other professions. You will learn to research and report stories across all media platforms including digital/ mobile, broadcast, and print. You will study media history, law, and ethics as well as contemporary issues including media ownership, globalization, public policy, and more. Journalism students complement their study with a required minor in a field outside communications and have the academic flexibility to take advantage of study away opportunities. Minor in Journalism - James Rada, Professor and Minor Coordinator The minor in Journalism offers students the opportunity to expand and enhance their college experience. It is designed to give students from a variety of disciplines a broad-based yet rigorous knowledge of journalistic Credits theory and practice. Students work on news and public affairs coverage 4 of issues relevant to their own major areas through a variety of lecture, 4 seminar, and laboratory courses.
An independent project under the supervision of a faculty adviser, with the approval of the department chair. Possible projects include video/ audio projects, script projects, and projects in journalism, advertising, or public relations. The outcome should be a completed work suitable for inclusion in a professional portfolio. May be repeated, but the total credit earned from all independent projects may not exceed 6. Prerequisites: Television-radio or integrated marketing communications major; junior or senior standing; permission of the department. (F-S)
Subject
TVR
Credits (min)
3
Credits (max)
3
Credit unit
Credits
Type
course
Repeatable
May be repeated, but the total credit earned from all independent projects may not exceed 6.
A limited number of internships with cooperating institutions or organizations are available to communications majors. The jointly supervised work experience offers the opportunity to learn through observation and participation in a professional setting. Prerequisites: Junior or senior standing; completion of Park School internship procedures; approval of the dean in the semester preceding the London registration. Pass/fail only. (F-S) See "London Center."
Intensive study under the supervision of a faculty adviser and the approval of the department chair. Possible topics include quantitative or qualitative research in an area relating to media production, consumption, regulation, or criticism. Comprehensive research paper (not project) is required. May be repeated, but the total credits earned from all independent study taken may not exceed 6. Prerequisites: Television- radio or integrated marketing communications major; junior standing; permission of department. (F-S) Documentary Studies and Production (DOCU)
Subject
TVR
Credits (min)
1
Credits (max)
6
Credit unit
Credits
Type
course
Repeatable
May be repeated, but the total credits earned from all independent study taken may not exceed 6.
