57 courses with the subject DCPR, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
DCPR 1000Digital Cinema Production Orientation1
Offers an overview of the Digital Cinema major and film and television industry. Teaches students the expectations and timetables required of them as they progress through the major. Develops a broad understanding of the various aspects of the filmmaking process and how training for these various aspects is conducted at UVU. Emphasizes industry standards of safety and professionalism. Lab access fee of $45 applies.
Corequisite(s): DCPR 1010L Analyzes the various technologies and production techniques that are used in motion picture communication. Involves viewing a motion picture each week of class and analyzing how the filmmakers incorporated production and structural techniques to produce a compelling story. Covers structural elements of motion picture storytelling, how each crew member of the production team contributes to the overall impact, how scripting is used to guide the team to create a strong cinematic effect, and how the three-act structure guides the entire team through the pre-production, production, and post-production process. Lab access fee of $45 applies.
Corequisite(s): DCPR 1010 Provides opportunities for in-class participation and discussion of films and media content. Allows students and faculty time to participate in hands-on experiences and work on class projects.
Focuses on traditional three-act structure and character-driven storytelling. Introduces dramatic and persuasive writing for filmed media content, including short narrative films and documentaries. Requires multiple writing assignments, including a final short film script. Lab access fee of $45 applies. Software fee of $13 applies.
Corequisite(s): DCPR 1610L Introduces the interface, tools, techniques, and operations of a variety of Non-Linear Editing (NLE) software programs. Introduces standard editing concepts and practices necessary for the creation and completion of Digital Cinema projects made for various distribution channels. Software fee of $15 applies. Lab access fee of $45 for computers applies.
Corequisite(s): DCPR 1610 Applies principles and processes of introductory editing for film and television. Allows students and faculty time to participate in hands-on experiences and to work on class editing projects.
Corequisite(s): DCPR 1800L Introduces professional video production techniques used for non-narrative digital cinema projects. Covers production processes such as working with clients, storytelling, camera techniques, basic lighting techniques, production management and basic non-linear editing techniques. Requires participation in a high-quality semester project that will take a non-narrative project through the entire pre-production, production and post-production process. Software fee of $15 applies. Lab access fee of $45 for computers applies. Course lab fee of $60 for equipment applies.
Corequisite(s): DCPR 1800 Applies principles and processes of introductory filmmaking. Allows students and faculty time to participate in hands-on experiences and to work on class projects. Provides opportunities for student groups to coordinate and prepare projects.
Prerequisite(s): DCPR 1010, DCPR 1800 Introduces film and video processes relevant to current industry trends. Includes relevant and changing topics and tools used in industry. Emphasizes hands-on experience along with lectures and demonstrations. Varies from one semester to another. May be repeated for a maximum of 6 credits toward graduation. Lab access fee of $45 for computers applies.
Subject
DCPR
Credits (min)
1
Credits (max)
3
Credit unit
Credits
Type
course
Repeatable
May be repeated for a maximum of 6 credits toward graduation.
Prerequisite(s): DCPR 1010 Immerses participants in the theory and practice of effective cinematic storytelling. Explores the variety of methods that filmmakers use to emotionally engage an audience. Prepares students for the rigorous requirements of the filmed content creation industry in key creative roles, including writing, directing, producing, editing, and cinematography. Lab access fee of $45 applies.
Introduces digital image acquisition and manipulation. Teaches the mechanics of the digital camera, and introduces lighting, white balance, color temperature, digital ISO and electronic image stabilization. Discusses image compositing, EXIF data analysis and archiving. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 2400, DCPR 1800 Corequisite(s): DCPR 2410L Introduces the basic concepts of lighting, grip/electric work, and beginning cinematography. Teaches a full understanding of lighting instruments, power distribution, lighting support, rigging, dollies, and production equipment. Teaches how to work as a member of a team/department applying on-set protocols to meet the needs of production objectives. Lab access fee of $45 for computers applies. Course lab fee of $150 for equipment applies.
Prerequisite(s): DCPR 2400, DCPR 1800 Corequisite(s): DCPR 2410 Applies principles and processes of introductory cinematography. Teaches on-set safety and professional protocol. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Corequisite(s): DCPR 2430L Introduces the technical foundations of virtual reality for cinema production including capture, image stitching, editing, and output. Discusses potential narrative and documentary applications for the use of virtual reality as a storytelling vehicle. Allows students hands-on practice as they create various VR projects. Discusses current and evolving distribution and delivery channels for VR filmed content. Lab access fee of $45 applies. Course lecture fee of $20 for materials applies.
Corequisite(s): DCPR 2430 Applies principles and processes of beginning Mixed Reality including surround camera, audio and related software. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Introduces the fundamentals of piloting a drone for media capture, including aerial photography and videography, using eight primary cinema techniques. Includes proper drone safety, mission planning, and the basics of legal flight. Requires drone with a camera.
DCPR 2500Visualization for Digital Cinema-Pre-Directing3
Prerequisite(s): DCPR 1010 Introduces concepts of visualizing filmed media content during the pre-production process from storyboarding and shot design to production design. Focuses on the role of the director to communicate lighting, character movement, camera movement, camera angles and framing to key motion picture production departments to enhance and support cinematic story. Lab access fee of $45 applies.
Prerequisite(s): DCPR 1610 Corequisite(s): DCPR 2620L Introduces a variety of professional Visual Effects software used in conjunction with NLE (Non-Linear Editing) software in current industry use. Establishes a foundation of understanding of cinematic post-production workflows utilized by professional visual effects houses. Lab access fee of $45 applies.
DCPR 2620LVisual Effects for Digital Cinema I Lab1
Prerequisite(s): DCPR 1610 Corequisite(s): DCPR 2620 Applies principles and processes of visual effects for basic post-production workflows. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 1610 Corequisite(s): DCPR 2630L Introduces digital workflow management of digital cinema camera assets. Addresses codecs, asset backup, management, transcoding, preparation of assets for the NLE workflow, and final asset output for various digital distribution channels. Introduces color correction and color grading techniques, principles, and concepts in a variety of professional software platforms. Software fee of $15 applies. Lab access fee of $45 for computers applies.
DCPR 2630LOutput and Color for Digital Cinema I Lab1
Prerequisite(s): DCPR 1610 Corequisite(s): DCPR 2630 Applies principles and processes of introductory media management and workflows for digital cinema. Trains students in the roles of the set Digital Imaging Technician and the Assistant Editor. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 1010, DCPR 1800, DCPR 1610 Corequisite(s): DCPR 2800L Presents professional digital cinema production techniques used in narrative filmmaking. Addresses problem-solving issues related to pre-production, production and post-production. Introduces the roles and duties of the director, producer, assistant director, and other key crew positions. Prepares students for work on professional sets as production assistants. Course lecture fee of $60 for equipment applies. Software fee of $15 applies. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 1010, DCPR 1800, DCPR 1610 Corequisite(s): DCPR 2800 Applies principles and processes of introductory narrative filmmaking. Introduces students to the protocols and procedures of narrative film-production. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
DCPR 3100RDigital Cinema Production Lecture Series-CineSkype1
Prerequisite(s): DCPR 1010 or CINE 2150 or THEA 1023 and University Advanced Standing Presents a series of feature-length films and the opportunity to discuss the challenges that went into their creation with the individual filmmaker(s). Introduces participants to directors, screenwriters, producers, and editors currently working in the industry. May be repeated for a maximum of 3 credits toward graduation. (Note: Some films screened may be considered controversial and carry an "R" rating.) Course fee of $40 for filmmaker sessions applies.
Subject
DCPR
Credits (min)
1
Credits (max)
1
Credit unit
Credit
Type
course
Repeatable
May be repeated for a maximum of 3 credits toward graduation.
Prerequisite(s): DCPR 1210 or THEA 2742, Portfolio Review Acceptance and University Advanced Standing Teaches advanced writing for cinema, television, and emerging media. Requires various writing assignments, including multiple short-form film scripts. Prepares students to write professionally in the entertainment industry. Software fee of $15 applies. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 2800, Portfolio Review Acceptance, and University Advanced Standing Explores the role of the producer in the development of motion picture and television projects. Teaches current entertainment industry-standard methods for developing stories, and securing rights and options. Focuses on how producers affect a quality production during development and pre-production, production, and post-production. Lab access fee of $45 for computers applies. Course fee of $20 for materials applies.
Prerequisite(s): DCPR 2800, Portfolio Review Acceptance, and University Advanced Standing Teaches the management of a motion picture production including scheduling, the creation of budgets, and working with unions and guilds. Addresses the role of the Line Producer, Assistant Director, and Production Manager in the filmmaking process. Focuses on industry-standard protocol, software, and practices. Lab access fee of $45 applies. Course fee of $20 for materials applies.
Prerequisite(s): DCPR 2400 and University Advanced Standing Uses photo imaging tools like Photoshop, Light Table, and Aperture in the creation and manipulation of digital images for use in a broad range of output specific formats. Teaches advanced image manipulation, and compositing and asset management to deliver finished digital image deliverables for such things as the web, DVD media, print, billboard, and wrap advertising media. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 2400, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3410L Focuses on the role of the Director of Photography and Gaffer in various media production applications. Teaches continuity of lighting, visual storytelling, implied script subtext through light quality and color, continuity in direction, use of lenses, and shot blocking for a fixed and moving camera. Covers advanced grip and lighting equipment use and setups. Covers working with a producer, director, production designer, set decorator, boom operator, and editor and on-set protocol. Lab access fee of $45 for computers applies. Course lab fee of $150 for equipment applies.
Prerequisite(s): DCPR 2400, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3410 Applies principles and processes of intermediate cinematography. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 2800, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3510L Offers a workshop format class structure. Offers opportunities to apply and hone skills in the foundational building blocks of digital cinema direction; directing the camera, directing actors, and creating mood and tone. Addresses problem-solving issues related to the director's development, pre-production, and production process. Includes developing, rehearsing, shooting, and editing narrative short films or directorial concept pieces for presentation and critique. Course lecture fee of $60 for equipment applies. Software fee of $15 applies. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 1010, DCPR 2800, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3510 Applies principles and processes of introductory directing for filmed media. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 1800, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3570L Teaches essential skills needed to direct non-fiction films including developing story ideas, interviewing subjects, doing research on global film topics, and learning run and gun/cinema veritae shooting techniques. Explores and analyzes contemporary non-fiction filmmaking genres and styles as they plan, conceptualize, and complete the production of an 8–12-minute documentary film that they direct. Teaches how to develop and pitch story ideas, shoot interviews, B-roll and observational scenes, record audio, storyboard, and consider more sophisticated ways to edit the non-fiction film. Examines the relationship between macro issues such as public health and social justice issues, and looks at the personal stories (micro level) that bring those stories to life on the screen. Lab access fee of $45 applies.
Prerequisite(s): DCPR 1800, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3570 Applies principles and processes of non-fiction directing. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 1800, Portfolio Review Acceptance, and University Advanced Standing Explores the diverse responsibilities of the non-fiction producer through a combination of lecture and documentary styles practical assignment to create a sizzle rell and pitch deck for a potential series or film. Develops skills that include hiring a crew, shooting interviews, gathering archival material, and filming observational scenes. Teaches how to develop and produce non-fiction features or docu-series, explore location scouting, apply for various funding opportunities, and coordinate post-production. Lab access fee of $45 applies. Course lab fee of $60 applies.
Prerequisite(s): DCPR 1610, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3610L Develops an understanding of how editing can shape cinematic storytelling using content from a variety of media and in various styles. Provides further practice in the hands-on application of cinema editing techniques. Investigates key historical approaches to editing, their impact, and evolution. Software fee of $15 applies. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 1610, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3610 Applies principles and processes of intermediate editing. Reviews historically significant editors and editing concepts. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 2620 and University Advanced Standing Corequisite(s): DCPR 3620L Provides an advanced practicum in a variety of professional Visual Effects software used in conjunction with NLE (Non-Linear Editing) software in current industry use. Further develops on the foundation of understanding of cinematic post-production workflows utilized by professional visual effects houses. Overviews a broad survey of types of visual effects in use today and the evolution of various programs and their shifting capabilities. Lab access fee of $45 applies.
DCPR 3620LVisual Effects for Digital Cinema II Lab1
Prerequisite(s): DCPR 2620 and University Advanced Standing Corequisite(s): DCPR 3620 Applies principles and processes of intermediate visual effects work in different platforms. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 1610, DCPR 2630, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3630L Focuses on advanced digital post-production workflow, digital output, and color grading for digital cinema productions. Furthers training in professional industry standard software used for color grading, color correction, and delivery. Prepares students for a career in post-production with emphasis on the careers of the Digital Imaging Technician and Colorist. Software fee of $15 applies. Lab access fee of $45 for computers applies.
DCPR 3630LOutput and Color for Digital Cinema II Lab1
Prerequisite(s): DCPR 1610, DCPR 2630, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3630 Applies principles and processes of advanced color correction, media management, and delivery. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
Prerequisite(s): DCPR 1610, DCPR 2630, Portfolio Review Acceptance, and University Advanced Standing Corequisite(s): DCPR 3660 Applies principles and processes of advanced use of Non-Linear Editing systems (NLE). Provides opportunities to become certified in industry-standard software. Allows students and faculty time to participate in hands-on experiences and to work on class projects.
DCPR 4110RIndependent Study - Cinema Production1-3
Prerequisite(s): Portfolio Review Acceptance and University Advanced Standing Offers independent study as directed in reading or in individual projects; offered at the discretion and approval of the department chairperson. May be repeated for a maximum of 9 credits toward graduation.
Subject
DCPR
Credits (min)
1
Credits (max)
3
Credit unit
Credits
Type
course
Repeatable
May be repeated for a maximum of 9 credits toward graduation.
Prerequisite(s): (DCPR 1210 or THEA 2742), (DCPR 3210 or THEA 3741), University Advanced Standing Focuses on advanced writing for long-form media projects including feature narrative films, documentary projects, episodic television series, etc. Requires the completion of a feature film script or a TV pilot script and series bible. Prepares students for professional work as writers in the film and television industry. May be repeated for a maximum of 6 credits toward graduation. Lab access fee of $45 applies. Software fee of $13 applies.
Subject
DCPR
Credits (min)
3
Credits (max)
3
Credit unit
Credits
Type
course
Repeatable
May be repeated for a maximum of 6 credits toward graduation.
Prerequisite(s): DCPR 1210 or THEA 2742, University Advanced Standing Pre- or Corequisite(s): DCPR 4240R Teaches necessary skills for working with writers and producers preparing scripts for production through various media technologies. Analyzes stories in all stages from early concept to production scripts, identify strengths, diagnose weaknesses, and find possible solutions to strengthen the scripts. Teaches consulting techniques for working with writers and producers to communicate clearly and in a way that encourages and empowers them to suit their storytelling plan to the appropriate technologies. May be repeated for a maximum of 6 credits toward graduation. Lab access fee of $45 applies. Software fee of $13 applies.
Subject
DCPR
Credits (min)
2
Credits (max)
2
Credit unit
Credits
Type
course
Repeatable
May be repeated for a maximum of 6 credits toward graduation.
Prerequisite(s): DCPR 1210 or THEA 2742, University Advanced Standing Corequisite(s): DCPR 4230R Applies principles and processes of script editing. Teaches techniques for allowing writers to creatively problem-solve and rewrite projects. Allows students and faculty time to participate in hands-on experiences and to work on class projects. May be repeated for a maximum of 3 credits toward graduation.
Subject
DCPR
Credits (min)
1
Credits (max)
1
Credit unit
Credit
Type
course
Repeatable
May be repeated for a maximum of 3 credits toward graduation.
Prerequisite(s): (DCPR 3310 or DCPR 3320 or DCPR 3580), Accepted to Cinema Track, University Advanced Standing, Portfolio Review Acceptance Teaches skills to produce various levels of filmed content. Introduces advanced production techniques including contracts, finance, and standard distribution deliverable requirements. Supports the completion of various finished short films both in groups and as individuals. Course lecture fee of $60 for equipment applies. Software fee of $15 applies. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 3410, University Advanced Standing, Portfolio Review Acceptance and (Accepted to Cinema Track or Faculty Approval) Corequisite(s): DCPR 4420R Offers an advanced workshop format class structure. Utilizes project-based opportunities to apply and hone advanced professional skills in composition, lighting and camera movement. May be repeated for a maximum of 6 credits toward graduation. Lab access fee of $45 for computers applies. Course lab fee of $150 for materials applies.
Subject
DCPR
Credits (min)
2
Credits (max)
2
Credit unit
Credits
Type
course
Repeatable
May be repeated for a maximum of 6 credits toward graduation.
Prerequisite(s): DCPR 3410, University Advanced Standing, Portfolio Review Acceptance and (Accepted to Cinema Track or Faculty Approval) Corequisite(s): DCPR 4410R Applies principles and processes of advanced cinematography. Focuses on expressing emotion through the elements of cinematography. Allows students and faculty time to participate in hands-on experiences and to work on class projects. May be repeated for a maximum of 2 credits toward graduation
Subject
DCPR
Credits (min)
1
Credits (max)
1
Credit unit
Credit
Type
course
Repeatable
May be repeated for a maximum of 2 credits toward graduation
Prerequisite(s): DCPR 3510, University Advanced Standing, Portfolio Review Acceptance and (Accepted to Cinema Track or Faculty Approval) Corequisite(s): DCPR 4520R Offers a professional-level workshop format class structure for students interested in feature film and television direction, as well as other narrative screen-based content. Focuses include approaches to evaluating story and screenplays, directing actors, staging and blocking scenes, and approaches to visual/cinematic storytelling. May be repeated for a maximum of 6 credits toward graduation. Lab access fee of $45 applies. Course lab fee of $60 for materials applies.
Subject
DCPR
Credits (min)
2
Credits (max)
2
Credit unit
Credits
Type
course
Repeatable
May be repeated for a maximum of 6 credits toward graduation.
Prerequisite(s): DCPR 3510, University Advanced Standing, Portfolio Review Acceptance and (Accepted to Cinema Track or Faculty Approval) Corequisite(s): DCPR 4510R Applies principles and processes of advanced narrative directing for film and television. Allows students and faculty time to work with equipment in a studio setting. May be repeated for a maximum of 2 credits toward graduation.
Subject
DCPR
Credits (min)
1
Credits (max)
1
Credit unit
Credit
Type
course
Repeatable
May be repeated for a maximum of 2 credits toward graduation.
Prerequisite(s): DCPR 3610, University Advanced Standing, Portfolio Review Acceptance and (Accepted to Cinema Track or Faculty Approval) Presents an advanced practicum in Digital Cinema editing and craft. Prepares students for employment as professional editors and assistant editors in a variety of work environments on a variety of types of media. Teaches the importance of reviewing, analyzing, and sharing critiques of works-in-progress. Lab access fee of $45 applies.
Prerequisite(s): University Advanced standing, Portfolio Review Acceptance, Accepted to Cinema Track Prepares students for the expectations of the Senior Capstone Project. Focuses on project development, budgeting, script preparation, and presentation. Enables students a chance to form Capstone Groups. Prepares students to present their Capstone Proposal to be "green lit" by the Program faculty. Must be taken in the Spring before the student intends to enroll in Capstone.
Prerequisite(s): Portfolio Review Acceptance, University Advanced Standing, Accepted for Cinema Track Provides a capstone experience working in Digital Cinema Production with individual specialized concentrations. Produces individual professional-level projects in consultation with faculty advisors. Encourages teamwork. Course lab fee of $150 for equipment applies. Lab access fee of $45 for computers applies.
Prerequisite(s): DCPR 4910, Portfolio Review Acceptance, University Advanced Standing, Accepted to Cinema Track Provides a capstone experience working in Digital Cinema Production with individual specialized Concentrations. Produces individual professional-level projects in consultation with faculty advisors. Encourages teamwork. Course lab fee of $150 for equipment applies. Lab access fee of $45 for computers applies.
Prerequisite(s): Portfolio Review and University Advanced Standing Introduces seniors to techniques and tools to the variety of career opportunities within the field of Digital Cinema Production. Demonstrates techniques to develop a portfolio, brand, and digital presence. Teaches about professional representation, film festivals, networking, and other opportunities.
