39 courses with the subject PRNT, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
18 hours CE level continuing studies course Discover the medium that Andy Warhol stole from industrial production processes and transformed into an art form. Learn the techniques for screenprinting clothing, bags, posters, zines and items of your choice.
18 hours CE level continuing studies course A Risograph printer echoes the vibrant “ink on paper” look of offset printing and is accessible to artists working in both analog and digital mediums, including illustrators, designers, printmakers and mixed-media artists. In this class, you’ll learn about the Risograph and create your own zines, posters and limited edition prints.
45.0 hours 100 level undergraduate course This is an introductory overview of printmaking processes. The course may include intaglio, drypoint, relief, screenprinting, monotype, and paper lithography. Emphasis is on the development of a personal voice and technical skill, within the capabilities of various processes. Students will experience the wide possibilities of expressive form inherent in printmaking and in the production of multiples. This course is not repeatable for credit.
45.0 hours 100 level undergraduate course An introduction to and investigation of various stencil methods, based on three primary types of screen stencils: cut paper, blockout/resist, and photo emulsion, using water-based inks on both paper and fabric. Emphasis is on the acquisition of personal expression and technical skills, within the capabilities of screen-printed opaque and transparent colors, and the use of editions in a collaborative class image exchange. Additionally, the various media unique to printmaking are shown and discussed, to introduce the beginning student to the wide possibilities of expression inherent in printmaking. This course is not repeatable for credit.
undefined hours 200 level undergraduate course Introduction to the graphic and expressive qualities of woodcut, linoleum, and collograph processes printed in monochrome and color. Monoprinting with direct drawing and painting on Plexiglas and metal plate are also explored. Requires completion of 30 credits. This course may be completed 2 times for credit.
90.0 hours 200 level undergraduate course This class offers an opportunity for idea development, visual perception, and the organization of experience into compositions. Primary emphasis is on developing visual expression, skill in using various materials, and growth of critical evaluative abilities through group discussions and critiques. Forms of drawing, collage, print media techniques, and other experimental mark making are explored in the investigation of concepts such as marking time, mapping, the display of data, the record of an event, material, body extension, a score. Students are encouraged to combine media. Requires completion of 30 credits. This course is not repeatable for credit.
90.0 hours 200 level undergraduate course The graphic qualities of expression in screenprinting are presented through historic and contemporary examples and demonstration of the methods. Various stencil processes from direct-drawn to photographic and computer-generated are explored in water-based opaque and transparent inks. Emphasis is placed on the understanding of the qualities of these methods and the development of personal ideas. Requires completion of 30 credits. This course is not repeatable for credit.
90.0 hours 200 level undergraduate course This class explores the flexibility the printed multiple plays in both the iterative process and format decisions within a studio practice. Students will learn techniques in screen printing and relief printing. These media will provide a point to create printed multiples from which to explore potentials in imagemaking, time based and 3 dimensional formats and interactive contexts. This course is not repeatable for credit.
45.0 hours 200 level undergraduate course Introduction and investigation of stencil methods in screenprinting with water-based inks. Idea development and acquisition of visual skills in expression in color, line, and form through drawn, photographic, or computer-generated stencil processes. This course is not repeatable for credit.
undefined hours 200 level undergraduate course Students are introduced to the basic techniques of nonsilver by building images in color with layers of brushed-on light-sensitive emulsion. Light-resists can range from photogram objects to drawings and paintings to film or paper negatives. Processes covered are Vandyke brown, cyanotype, and gum bichromate. Requires completion of 30 credits. This course is not repeatable for credit.
undefined hours 200 level undergraduate course A studio course of instruction and demonstration in a variety of traditional and contemporary technical approaches to the handling of printmaking media. Media options could include screenprinting, intaglio, lithography, relief and/or monotype. This course will largely focus on physical processes but will also include discussion of concept and image development through printmaking techniques and the use of multiples in studio practice. Requires completion of 30 credits. This course may be completed 2 times for credit.
45.0 hours 200 level undergraduate course Through slide lectures and demonstrations, this studio course introduces students to all aspects of traditional Western and Japanese papermaking techniques including pulp preparation, sheet formation, pressing, and drying sheets. Students learn refined, professional methods as well as explore the creative versatility of pulp. Classes include: casting three-dimensional objects and bowls, building subtle relief images in colored pulp, and painting with pulp. Various fibers explored throughout the semester include garden vegetables and indigenous plants. Requires completion of 30 credits. This course is not repeatable for credit.
undefined hours 200 level undergraduate course The graphic qualities of expression in etching/intaglio are presented through historic and contemporary examples and demonstration of the methods. Handwork on metal plate includes drawn drypoint, etching, and tonal processes. Emphasis is placed on the understanding of the qualities of these methods and the development of personal ideas. Requires completion of 30 credits. This course is not repeatable for credit.
45.0 hours 300 level undergraduate course Students meet at the Philadelphia Museum of Art in the Print Study room to discuss and study original prints, illustrations, and rare books from the museum collection. Masters of the 15th through the 18th centuries are introduced and researched, as well as prints and printed illustration work from the 19th and 20th century. The print is addressed not only in the context of art history but also in terms of its relevancy to the cultural, religious and political climate of its original time. This course is not repeatable for credit. This course can fulfill a discipline history elective, critical studies elective, or general elective requirement.
90.0 hours 300 level undergraduate course All of the basic techniques of drawing, imagemaking and printing skills that are necessary to produce hand-pulled lithographs from stones and plates are taught. An emphasis is placed on visual expression and development of ideas through group discussions and critiques. This course is not repeatable for credit.
undefined hours 300 level undergraduate course All of the basic techniques of drawing, imagemaking and printing skills that are necessary to produce hand-pulled lithographs from stones and plates are taught. An emphasis is placed on visual expression and development of ideas through group discussions and critiques. This course may be completed 2 times for credit.
90.0 hours 300 level undergraduate course Opportunity for continued development of images and skills in combinations of non-silver processes. Introduction of palladium printing and the use of the Scitex Image Setter in the Imaging Lab. Prerequisites PRNT*214 This course may be completed 2 times for credit.
90.0 hours 300 level undergraduate course This course will explore the intersection of visual and verbal communication via the written word, its interaction with images, and their combined impact within visual culture. Students will learn about the relationship between text and image through class lectures, studio work, individual research and collaborative projects. By analyzing and understanding how text and image combine to create meaning, students develop new strategies for making that will enhance their artistic, conceptual, critical and analytical skills. Requires completion of 30 credits. This course is not repeatable for credit.
45.0 hours 300 level undergraduate course Students will further investigate and develop image-making, through lithography. In this course students will be encouraged to use lithography in dynamic and unexpected ways. Students at this advanced level in fine arts should expect to focus attention on concept, content and formal concerns and to research historic and contemporary litho prints and practices. The skills learned will include, large format stone printing, multicolor separation and registration, and offset litho techniques. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience. Prerequisites PRNT*305 This course may be completed 2 times for credit.
45.0 hours 300 level undergraduate course Students will further investigate and develop image-making, through screenprinting. In this course students will be encouraged to use screenprinting in dynamic and unexpected ways. Students at this advanced level in fine arts should expect to focus attention on concept, content, and formal concerns and to research historic and contemporary screenprints and practices. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience. Prerequisites PRNT*206 Open to Printmaking majors only. This course may be completed 2 times credit.
45.0 hours 300 level undergraduate course Students will further investigate and develop image-making, through intaglio printmaking. In this course students will be encouraged to use intaglio in dynamic ways. Students at this advanced level in fine arts should expect to focus attention on concept, content, and formal concerns and to research historic and contemporary intaglio prints and practices. The skills learned will include, relief etching, multicolor separation and registration, stencil techniques, a la poupee, and chine colle. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience. Prerequisites PRNT*241 This course may be completed 2 times credit.
45.0 hours 300 level undergraduate course Students will further investigate and develop image-making, through relief printmaking. In this course students will be encouraged to use relief in dynamic and unexpected ways. Students at this advanced level in fine arts should expect to focus attention on concept, content, and formal concerns and to research historic and contemporary relief prints and practices. The skills learned will include, large format carving and printing, multicolor separation and registration, and photographic relief techniques. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience. Prerequisites PRNT*201 Open to Printmaking majors only. This course may be completed 2 times credit.
90.0 hours 400 level undergraduate course A course through which students can further explore the relationship between content and material/ process/format in order to develop a unique visual vocabulary. Possible explorations might include 2 dimensional and 3 dimensional works, installation, video, animation, book arts and public interventions. Prerequisites PRNT*210 This course is not repeatable for credit.
90.0 hours 400 level undergraduate course Print Media is an advanced course through which students can further research and explore the use of printmaking processes in order to develop and express their individual concepts, images, and technical expertise. Projects will permit students to gravitate toward media in which they have previous experience while also encouraging experimentation with less familiar printmaking techniques, finding the process best suited to their imagery. The workshop atmosphere permits a comfortable handling of all procedures and print processes. Students will be able to use print media such as (but not limited to) screenprinting, lithography, relief, intaglio, laser cut and digital printing. They might also add hand drawing, and photo based imagery. Possible explorations might include 2 dimensional and 3 dimensional works, installation, video, animation and performance. Students will be given an opportunity to investigate the work of recent and current artists and movements that incorporate the use of multiples through print media. Prerequisites One course from subject PRNT, from level 200, 300, or 400. This course may be completed 2 times for credit.
undefined hours 400 level undergraduate course Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum. This course may be repeated for credit. This course requires permission by the offering program office. This course may not be audited. This course cannot be taken pass/fail.
90.0 hours 400 level graduate course This course offers students an opportunity for continued investigation within the various printmaking processes. Photoshop is introduced with an emphasis on using the computer as an image-making tool within the context of printmaking. InDesign and Illustrator will be introduced in the exploration of working with image and text. The emphasis is on the integration of idea and process. This course may be completed 2 times for credit.
undefined hours 600 level graduate course Opportunity for continued development of images and skills in combinations of non-silver processes. Introduction of palladium printing and the use of the Scitex Image Setter in the Imaging Lab. This course may be completed 2 times for credit.
90.0 hours 600 level graduate course This course instructs students in the history and practice of hand papermaking: the historical study of paper composition; conservation techniques; and the study of fibers and papers best suited for printing. This course will also further elevate student knowledge in the field of conservation and its associated professional practices. Participants will gain knowledge in the history, conservation, and artistic relevance of paper, including the review of historic and contemporary applications of hand papermaking. The primary focus of this course is the technical application and production of pulp fiber, as well as the production of handmade paper for various applications. The format focuses on technical demonstrations to familiarize students with the actions and formal languages employed in the production of handmade paper. Students will gain historic knowledge of papermaking as both a craft and as a practice. Additionally, they will develop a working knowledge of papermaking practices and problem solving skills, including fiber preparation and sheet formation. The understanding of centuries-old methods and its chemistry are essential in the discussion of paper as an artistic medium. Through weekly readings, both Western and Eastern craft will be reviewed addressing the history of paper, quality, and conservation issues. Priority enrollment to graduate Book Arts majors. This course is not repeatable for credit.
90.0 hours 600 level graduate course This course is an introduction to and an exploration of basic printmaking techniques intrinsic to the production of books and prints. Projects will be assigned allowing each student to gravitate toward media which is best suited to express their own individual concepts while being encouraged to fully experiment with those less familiar. Emphasis is on both print processes and conceptual development. Priority enrollment to graduate Book Arts majors. This course is not repeatable for credit.
90.0 hours 600 level graduate course This course will present the mechanics of letterpress printing, in union with basic elements of typographic design, utilizing traditional and nontraditional printing techniques. Students will learn hand setting and printing from metal type on a Vandercook proof press, and printing text and illustration from photopolymer plates, both in relation to edition printing. Press operation and maintenance will be covered, as well as imposition, various inking methods, and proper impression. Priority enrollment to graduate Book Arts majors. This course is not repeatable for credit.
90 hours 600 level graduate course This course will cover the specific digital platforms, hardware, and software for creating imagery and text in relation to printmaking and pre-press operation processes. These processes include digital printing, preparing digital files for multiple print processes, using a laser cutter for creating watermark stencils or pressure printing stencils, and digital book production. Software programs covered include Adobe Illustrator, InDesign, and Photoshop. Assignments will be based around applying specific digital techniques to printmaking processes. This course is not repeatable for credit. This course may not be audited.
90.0 hours 600 level graduate course This course offers further development in the exploration of handpapermaking as a conceptual medium. Students will explore the medium as a primary vehicle for artistic expression, as well as its potential working in unison with printmaking techniques and book binding techniques acquired thus far in the program. Priority enrollment to graduate Book Arts majors. This course is not repeatable for credit.
90.0 hours 600 level graduate course This course will focus on the development of each student’s independent visual voice in applied, investigative and experimental elements of typography, design, book arts and printmaking. Projects will focus on exploring the relationship between text and image and an integration of the fine and design arts. The grid and essential design elements will be covered in order to institute an understanding of typographic canons. A myriad of digital exercises will complement major projects completed over the semester. Priority enrollment to graduate Book Arts majors. This course is not repeatable for credit.
45 hours 600 level graduate course Through readings, discussions, field-trips, workshops, and guest lectures, students will explore concepts, objects, and practices that comprise contemporary visual culture. They will consider how their developing studio practice fits into both a larger cultural context and a contemporary studio practice. This course is not repeatable for credit. This course may not be audited.
22.5 hours 600 level graduate course Students will research creative communities, artists, and resources both nationally and internationally within the fields of book arts, papermaking, and printmaking. In so doing, students have the opportunity to consider their role within these artistic fields and develop a self-defined project that critically engages with the current issues and techniques of these practices. Priority enrollment for Book Arts/Printmaking MFA majors. This course is not repeatable for credit. This course may not be audited.
undefined hours 600 level graduate course Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum. This course may be repeated for credit. This course requires permission by the offering program office. This course may not be audited. This course cannot be taken pass/fail.
undefined hours 600 level graduate course This course may be repeated for credit. This course requires permission by the offering program office.
45.0 hours 700 level graduate course The Atelier is an advanced printmaking course focusing on collaborative practice in fine art print or papermaking. The class will center around one or more collaborations. The course will explore both the technical logistics of fine art print or paper production and conceptual issues like the use of the multiple in contemporary art practice. Prerequisites PRNT*716 Priority enrollment to graduate Book Arts majors. This course may be completed 2 times for credit.
90.0 hours 700 level graduate course This course will provide further exploration of techniques not covered in the Print Media course, including experimental and nontraditional techniques and photo based processes tailored to each student’s individual voice. Sculptural prints and installation works will also be explored through site-specific projects as well as the collaborative possibilities of the digital with printmaking processes. Prerequisites PRNT*653 Open to graduate Book Arts majors only. This course is not repeatable for credit.
Source: University of the Arts's catalog, linked per course · table learning_unit · CourseShelf publish 59
