52 courses with the subject CMUS, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
CMUS 100Fundamentals of Commercial Music Theory and Musicianship3
Prerequisite: Music Theory Placement Test with a score of 0
An introduction to current music technology used in generating music for the commercial music marketplace. This includes using a digital audio workstation, recording analog music, programming digital music, triggering loops in real time, and notating music digitally.
This course focuses on the musical and technological techniques of contemporary film composition. Development of fundamental skill in traditional and non-traditional composition practices using technology through the creation of short works is emphasized.
Private lessons in a secondary area appropriate to commercial music disciplines, which include voice, guitar, keyboard, bass, drums, recording engineering and producing, songwriting, film scoring, and other solo instruments.
Private lessons appropriate to commercial music disciplines, which include voice, guitar, keyboard, bass, drums, recording engineering and producing, songwriting, film scoring, and other solo instruments.
A survey of popular and jazz music writers, influences, and trends. Emphasis is placed on a general overview of personalities and their unique influences within each of these genres.
Students will become familiar with the responsibilities of a tour planner and a concert promoter. Students will participate in planning concerts in various size venues and learn the procedures and necessary tasks. Students will learn the processes for concert promotion. Tour planning projects are assigned, giving the students insight into the fundamental elements of tour management and production. Booking an artist will also be studied within the context of secular venues, Christian venues, festivals, large and small venues and churches.
This course covers basic Pro Tools principles applied to music recording, engineering, and producing contexts. It provides everything you need to complete a Pro Tools project from initial setup to final mix-down. The course focuses on Pro Tools software and covers a multitude of new functions and feature enhancements. Whether your project involves recording live instruments, MIDI sequencing of software synthesizers, or audio editing or region looping, this course will give you the basic skills to succeed.
This course provides a more detailed look at the Pro Tools system. It covers all the key concepts and skills needed to operate a Pro Tools system at the User level. This course, along with CMUS 271, provides the foundation to Pro Tools User Certification and for the later 200-series of courses on Pro Tools music and post-production.
This course is designed to develop the artist for a career in the music industry. Students will engage in the principles of artist branding, fanbase communication, merchandise development, and marketing and distribution of their music and artistry. Spiritual formation and personal integrity as well as stage performance, creative stage production, song selection and repertoire development will be discussed.
This course is a survey of sound reinforcement and provides training in sound system setup, design, implementation and front of house and monitor mixing for venues, tours, and houses of worship.
A study of the music industry providing introductory material about the various areas of the industry including examination of key roles associated with the music business and how they impact one another.
An examination of the background and principles of contract law as applied to the negotiation, creation, interpretation and enforcement of binding agreements in the music industry. This course also involves a study of music licensing and work for hire, royalties, and residuals.
A study of the operational principles of recorded music distribution for independent artists and for mainstream record labels. This includes monetization of recorded music through streaming, special events, merchandising, and other methods.
A study of the theories and techniques used in the marketing of recorded music by major and independent labels and artists to consumers. Topics include market structure and analysis, distribution methods, promotional strategies, charts, airplay, pricing, research, and legal issues specific to entertainment marketing. This course also discusses use of music in marketing other products.
An analysis of the various aspects of artist development and tour management. This includes contracts with venues, riders, audience projections/demographics, and finance (budgets, corporate sponsorships, gate receipts, etc.).
CMUS 372Entrepreneurship in Commercial Music Community3
A study of the music entrepreneur and basic principles, founded on a biblical worldview, for starting a business within the context of the commercial music community: discovering their unique value in the music marketplace, developing their brand, finding and connecting with their customer/fan, potential revenue streams, budgeting, and cost analysis of their business.
This course delineates the crafting and production processes necessary for song development within music industry contexts. It addresses the musical, technological, mentoring, and business fundamentals necessary for music producers to construct songs and media content, recognizing how to generate and promote potentially viable product within commercial projects and ventures.