27 courses with the subject ENGL, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
This course introduces students to select works foundational to literary traditions from around the world. It gives students a chance to explore what ancient cultures felt about the gods, gender roles, nature, and war, inviting students to listen for ways these works, as Homer prayed, "sing for our time, too." Offered occasionally. Core: CC, LI
Global Literatures II exposes the student to major trends in literature through the early modern period, an era of aggressive European expansionism. Although it foregrounds developments in Anglophone literature this course will also consider innovations in other literary traditions, both Western and non-Western. Offered occasionally. Core: CC, LI
This course explores a selection of poetry, drama, fiction, and prose non-fiction from the eighteenth and nineteenth centuries. Although the course focuses in particular on the Anglophone tradition, readings take into account the increasing frequency of cross-cultural encounter in the modern era and celebrate the contributions of writers from around the globe. A thematic link among texts will be journeys to enlightenment. (Spring 2023) Core: CC, LI 198 – Course Descriptions
This course considers realist, modernist, post-modernist and post-independence poetry, drama, fiction, and non-fiction. While the course focuses on the Anglophone tradition, readings will show the emergence of a global literary marketplace in the twentieth century and celebrate the contributions of various ethnic and minority writers. Students may not take both ENGL 204 and
Exploring a mix of older and recent novels and short stories, this course will equip students with the skills they need to enjoy, be surprised by, and learn from fiction. (Fall 2024) Core: LI
Focusing mainly on the work of contemporary poets, this course will equip students with the skills they need to enjoy, be surprised by, and learn from poetry. (Spring 2024) Core: LI
In this survey course spanning some of the earliest written documents to those published in the early 1600s, students will encounter thinkers who anticipated many of our own questions about meaning and our place in the universe. Who, if Anyone, created us, and what are our resulting obligations? How do we live in relation to our past? Where are we going, literally and metaphorically? Readings will reflect the instructor’s expertise, but texts may include The Epic of Gilgamesh, the book of Job, the Odyssey, Antigone, Paul’s letter to the church at Rome, The Ramayana, The Canterbury Tales, The Arabian Nights, Journey to the West, Lazarillo de Tormes, and King Lear. Students may attend the 200-level version class twice weekly for two credits or intensify to a 300-level three-credit course by attending a third weekly class meeting and completing additional assignments. Students may not enroll in both courses. Designate: LI
Featuring literature published between 1600 and 1850, this second in a series of global literature courses also functions as a stand-alone offering and considers readings associated with political revolution, freedom, grief and loss, exploration, enlightenment, and colonialism. Selections will reflect the instructor’s expertise, but representative texts include The Aztec-Spanish Dialogues, The Tempest, The Ausbund, Paradise Lost, and The Interesting Narrative of the Life of Olaudah Equiano; selected poetry by Matsuo Basho, Phillis Wheatley, William Wordsworth, and John Keats; and novels such as Mary Shelley’s Frankenstein and Jane Austen’s Northanger Abbey. Students may attend the 200-level version class twice weekly for two credits or intensify to a 300- level three-credit course by attending a third weekly class meeting and completing additional assignments. Students may not enroll in both courses. Designate: LI
As the global literature sequence’s third offering or a course to be taken on its own, “Intimacy and Independence” focuses on select works of literature published between 1850 and the present that explore the precarious balance between personal autonomy and fruitful relationship. Selections will reflect the instructor’s expertise, but representative writers include Emily Dickinson, Walt Whitman, Fyodor Dostovsky, Leo Tolstoy, Ryūnosuke Akutagawa, T.S. Eliot, Virginia Woolf, Ella Carla Deloria, Pablo Neruda, Lorraine Hansberry, Miriama Ba, and Uwem Akpan. Students may attend the 200-level version class twice weekly for two credits or intensify to a 300-level three-credit course by attending a third weekly class meeting and completing additional assignments. Students may not enroll in both courses. Designate: LI
*ENGL 312 Ecology and Science Fiction (3) *ENGL 315 Global Conflicts, Global Novels (3) *ENGL 344 Ways of War and Peace (3) *ENGL 346 Rooms of Their Own (3) 84 – 2026-27 Undergraduate Programs of Study
How do utopic and dystopic visions of the future of our planet affect the way we live in the world? How do these narratives shape our approach to environmental problems today? Core: LI
In this class, students will read five novels about five different regional conflicts happening in the world today, roughly one from each continent. The goal of the course will be to explore how far the arts of novel-writing and novel-reading overlap with the arts of conflict transformation. (Spring 2023) Core: LI Course Descriptions - 199
This course examines the tensions conflicting allegiances to faith and country may pose by focusing on literature from World War I, World War II, and the Vietnam conflict. A survey of Catholic, Protestant, and Anabaptist theological approaches to peacemaking will provide a framework for the course. In addition to keeping reading response journals and delivering oral presentations, each student will prepare transcribed oral histories with a military veteran or conscientious objector. (Spring 2024) Core: CL, LI
This course considers a selection of British literary works through the lens of Virginia Woolf's cultural critique in A Room of One's Own and Three Guineas. As we apply that critique to her own fiction as well as texts by her foremothers Jane Austen and Charlotte Bronte and contemporaries H.D. and Dorothy L. Sayers, we will consider the degree to which her diagnosis remains relevant today, particularly within an Anabaptist Christian perspective. The course also focuses on the relationship of selected literary works to the representation and construction of gender roles in the cultures from which they emerge. We will consider writers' articulations of their experiences within their social and ideological contexts, as well as the material conditions under which they write. (Spring 2023) Core: LI
This course explores conceptions of manhood in US literature since the nation's establishment, featuring texts by writers of diverse ethnic backgrounds, including Thomas Jefferson, Samson Occom, Frederick Douglass, Langston Hughes, Lorraine Hansberry, Khaled Hosseini, Gene Luen Yang, and Martin Espada. It also focuses on the relationship of selected literary works to the representation and construction of gender roles in the cultures from which they emerge. We will consider writers' articulations of their experiences within their social and ideological contexts, as well as the material conditions under which they write. A community-learning (CL) designate course, "American Manhood" challenges students to be involved in community settings that relate to course subject matter. Expectations include engagement in critical analysis of community issues and synthesis of classroom-based knowledge and personal experience. (Spring 2024) Core: CL, LI
*ENGL 355 Young Adult Literature (3)
Teacher Education: Special Education General Curriculum (K-6) (add- on) Contact: Kathy Evans 140 – 2026-27 Undergraduate Programs of Study
In this survey course spanning some of the earliest written documents to those published in the early 1600s, students will encounter thinkers who anticipated many of our own questions about meaning and our place in the universe. Who, if Anyone, created us, and what are our resulting obligations? How do we live in relation to our past? Where are we going, literally and metaphorically? Readings will reflect the instructor’s expertise, but texts may include The Epic of Gilgamesh, the book of Job, the Odyssey, Antigone, Paul’s letter to the church at Rome, The Ramayana, The Canterbury Tales, The Arabian Nights, Journey to the West, Lazarillo de Tormes, and King Lear. Students may attend the 200-level version class twice weekly for two credits or intensify to a 300-level three-credit course by attending a third weekly class meeting and completing additional assignments. Students may not enroll in both courses. Designate: LI
Featuring literature published between 1600 and 1850, this second in a series of global literature courses also functions as a stand-alone offering and considers readings associated with political revolution, freedom, grief and loss, exploration, enlightenment, and colonialism. Selections will reflect the instructor’s expertise, but representative texts include The Aztec-Spanish Dialogues, The Tempest, The Ausbund, Paradise Lost, and The Interesting Narrative of the Life of Olaudah Equiano; selected poetry by Matsuo Basho, Phillis Wheatley, William Wordsworth, and John Keats; and novels such as Mary Shelley’s Frankenstein and Jane Austen’s Northanger Abbey. Students may attend the 200-level version class twice weekly for two credits or intensify to a 300- level three-credit course by attending a third weekly class meeting and completing additional assignments. Students may not enroll in both courses. Designate: LI
As the global literature sequence’s third offering or a course to be taken on its own, “Intimacy and Independence” focuses on select works of literature published between 1850 and the present that explore the precarious balance between personal autonomy and fruitful relationship. Selections will reflect the instructor’s expertise, but representative writers include Emily Dickinson, Walt Whitman, Fyodor Dostovsky, Leo Tolstoy, Ryūnosuke Akutagawa, T.S. Eliot, Virginia Woolf, Ella Carla Deloria, Pablo Neruda, Lorraine Hansberry, Miriama Ba, and Uwem Akpan. Students may Course Descriptions – 177
Additional Coursework (9 SH) Choose 9 SH from the categories below: Note that students pursuing 6-12 education licensure fulfill the English practicum requirement through their student teaching and will fulfill these additional 9 hours through courses indicated in the licensure requirements. Choose any 200+ WRIT course (1-3) Choose an English practicum from this list:
This seven-week course will introduce and provide practice in therapeutic reading for clinical settings. Course content will include academic essays on bibliotherapy's principles and best practices as well as appropriate selections in fiction, prose non-fiction, and poetry. The student cohort will meet weekly with the course instructor to discuss readings and the field experiences at the Virginia Mennonite Retirement Community. Graded assignments will include a protocols test, a reflection journal, a class presentation, and mid-course and final reflection essays. (Fall 2022) Core: CL, LI
Drawing from the work of Maria Yellow Horse Brave Heart, Carolyn Yoder has defined historical trauma as “the cumulative emotional and psychological wounding over the lifespan and across generations emanating from massive group trauma.” The effects of historical trauma can last for generations, she explains, “even when the next generation is not told the trauma story, or knows it only in broad outline. A ‘conspiracy of silence’ surrounds events for which grieving and mourning have never taken place” (Trauma Healing 13-14). Literary Treatments of the Traumatized US South will use Yoder’s book as a lens for examining the work of several influential fiction-writers to address our country’s most traumagenic events: mass enslavement and a resulting Civil War. This honors course will follow the graduate seminar model as we explore this question, featuring presentations by and discussion among all participants. Each class member will also write and deliver an eight-page presentation-length paper at the ACE Festival; anyone seeking a writing- intensive course credit may develop that project into a fifteen to twenty-page scholarly article appropriate to submit as a graduate-school admission writing sample. (Honors Colloquium)(Spring 2023) Core: CL, LI
One of the most celebrated and influential fantasy and science fiction writers of all time, Le Guin taught a generation of readers (and writers) how to pay attention to the boundaries of their imagined worlds and catch, at the same time, what might be happening on the other side. A Wizard of Earthsea (1968) tells the story of a young magician finding his way at wizarding school. The Left Hand of Darkness (1969) tells the story of an ambassador from earth sent to a distant planet of androgynous human beings who for a few days every month naturally change to male or female. The Dispossessed (1974) tells the story of another earth-like planet imperfectly but Course Descriptions - 201
The professional Internship Program is a cooperative endeavor among upper-level students, the community, and the language and literature department. An internship provides an opportunity for students to explore career options and to extend their classroom experiences and learning with both job-related and academic responsibilities. Department approval required one semester in advance. This course is graded on a P/F basis. Core: CL
Source: Eastern Mennonite University's catalog, linked per course · table learning_unit · CourseShelf publish 59
