36 courses with the subject MUPR, each shown exactly as we captured it from the college's catalog, with every element we hold. Where the wording looks broken, that is our reading of the catalog, not the college's text.
This course acquaints musicians with appropriate applications of hardware used to record musical performances. Credit(s): 2
This course allows students to develop critical listening skills through analysis of musical styles and recording techniques. Credit(s): 1
This course is a continuation of MUPR 101 . Learning modules include aspects and applications of recording studio techniques, including editing, session setups, mixing, console flow logic, patch bay applications and microphone placement. Two hours of studio time per week accompany the class. Credit(s): 2
This course is designed for students to develop advanced critical listening skills through analysis of musical styles and recording techniques. This course is a continuation of the material learned in MUPR 111 and serves as an elective. Credit(s): 1
This course provides a laboratory experience to parallel the content of MUPR 112 . Small weekly group sessions provide practical experience with equipment and techniques utilized in MUPR 112 . A studio recording fee is assessed. Credit(s): 0.5
This course serves as an introduction to Pro Tools Software and will culminate in a final recording project. This course has a lab component. Credit(s): 1
This course is a study of equipment used for musical sound reinforcement, including small, large, portable and fixed systems. Students will learn specifications of instrumentation, nature of music performed and location, setup, microphone placement and equipment selection. Credit(s): 2
This course provides a practical application of remote recording techniques in recitals and other concerts. Students will serve as sound technicians and will assist with remote recording sessions. Credit(s): 2
This course is a continuation of MUPR 231 . Students will show practical application of remote recording techniques in recitals and other concerts while working as a sound technician on remote recording sessions. The student will gain recording experience through hands-on application. Demonstration and discussion of equipment and techniques will assist in student choices of recording techniques. Simple troubleshooting will be included. Credit(s): 1
This course is a continuation of MUPR 151 and expands upon the basic principles taught in Pro Tools I. Students will be introduced to core concepts and skills needed to operate a Pro Tools system running large sessions. Credit(s): 1
This course provides an advanced study of sound reinforcement techniques. Students gain practical experience using sound system equalization, mixing techniques, digital console programming and wireless equipment for live theatre and music venues. Credit(s): 2
This course is a continuation of MUPR 112 . Learning modules will include aspects and application of digital audio recording and principles of digital audio. Students will work with computer software programs such as Pro Tools and Cubase, which including editing, recording and MIDI. Two hours of studio time per week accompany this class. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 2
This course consists of study and application of the aesthetics of Tonmeister technology by recording various student and/or faculty performing ensembles. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 1
This course provides a laboratory experience to parallel the content of MUPR 302 . Small weekly group sessions provide practical experience with equipment and techniques utilized in MUPR 302 . A studio recording fee is assessed. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 0.5
This course provides practical application of equipment used for sound reinforcement, including small, large, portable and fixed systems. Students will learn specifications of instrumentation, nature of music performed and location, setup, microphone placement and equipment selection, as well as gain a practical application through working as a sound technician for a variety of on-campus performances in a variety of venues. Credit(s): 1
This course is a survey of basic electronics for the recording studio. Theoretical concepts of voltage, current, resistance, capacitance and inductance are developed. Enrollment is limited to students who have successfully passed prerequisite courses. Credit(s): 3
This course provides students with the opportunity to develop skills in the use of test equipment for preventative maintenance and equipment calibration, computer maintenance and networking. Trouble shooting and basic repair procedures are included. Credit(s): 2
This course facilitates development of technical writing skills for the professional audio and music industry. Course content includes writing skills for technical operation manuals, equipment reviews and how-to operation articles. Students will complete a writing project and submit it for electronic or print publication. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 2
In this course students will learn electronic music concepts and synthesis, techniques, and hardware, including MIDI and MIDI software, basic digital equipment and computers. Credit(s): 3
This course is designed for students to develop core skills and an understanding of workflow for digital audio workstations. Credit(s): 2
This course allows students to develop core skills as well as an understanding of the fundamental tools and techniques required to create and implement sound for video games. The course content includes basic sound design techniques using advanced audio software. Credit(s): 2
This course is intended for students who expect to be in a recording studio as a musician, writer or producer. Learning modules will include a study of console mixing from multi-track to stereo or mono format, using multiband equalization, pan pots, reverberation and outboard effects such as compressors and limiters. A one-hour lab will accompany the course and provide a laboratory supplement to the work done concurrently in Music Production I. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 2.5
This course is a continuation of MUPR 401 , culminating in a final project which the student must compose, produce and record. Areas of study include console mixing from multi-track to stereo or mono format, using multi-band equalization, pan pots, reverberation and outboard effects such as compressors and limiters. A one-hour lab will accompany the course. Credit(s): 2.5
This course allows students to develop the technical and artistic skills to produce multi-channel immersive audio mixes and recordings, ranging from 5.1 surround sound to Dolby Atmos. Students will determine sonic requirements for a production, create original recordings and mixes and demonstrate immersive playback technology and methods. Credit(s): 2
This course allows students to develop core skills and an understanding of workflow and the concepts involved in mastering final mixes of recordings. Students will process a collection of recordings making musical and technical choices that result in a cohesive sound product. Credit(s): 2
This course provides a laboratory experience to parallel the content of MUPR 401 . Small weekly group sessions provide practical experience with equipment and techniques utilized in MUPR 401 . A studio recording fee is assessed. Credit(s): 1
This course provides a laboratory experience to parallel the content of MUPR 402 . Small weekly group sessions provide practical experience with equipment and techniques utilized in MUPR 402 . A studio recording fee is assessed. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 1
This course is designed for students to develop the technical and artistic skills needed to produce and design sound for use in theatrical and live sound venues. Students will determine sonic requirements for various theatrical productions and select equipment and methods to be used. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 2
This course is designed for students to develop an understanding of all aspects of the work of music supervision for films and television shows; the role of the music supervisor; the creative and legal procedures of hiring composers; producing music and licensing music for film and TV; and to examine the past, present and future of worldwide copyright laws. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 3
This course allows students to gain more experience working with electronics through audio projects. The course material will help students become familiar with various equipment and how to service and modify audio equipment. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 2
This course is an introduction to sound applied to motion pictures. The content focuses on past and current trends of adding, mixing, and editing sound for motion pictures. Enrollment is limited to students who have successfully passed the Sophomore Screening. Credit(s): 1
This course is designed to prepare students for their internship experiences. Students will research and select several potential sites for internship possibilities. Contacts will be made, evaluation of possible sites will be conducted, and resumes and portfolios will be created. Students will prepare for the opportunity to continue learning on-site in a successful professional situation. Enrollment is limited to students who have successfully passed Sophomore Screening. Credit(s): 1
This course provides the student with the opportunity to apply expertise gained in a controlled classroom to a realistic situation. A minimum requirement of 150 hours of practical experience is required. Completion of all major and minor lesson requirements, all music literature requirements, all music theory requirements and all music production and recording technology core requirements is required. Credit(s): 2
The Senior Project course is the culmination of the student’s Recording and Audio Arts learning experience. Students integrate, extend and apply knowledge through the development of a large-scale project and the refinement of their professional portfolio. Under the guidance of an assigned mentor, senior majors demonstrate mastery of program material by completing an instructor-approved project related to the field of study and germane to the student’s career interests. Credit(s): 3
This course is an investigation of a specialized topic within the music production and recording technology industry. Credit(s): 1, 2 or 3 credits, dependent upon topic.
This course allows for guided individualized study of projects in music production and recording technology, which may be used to fulfill music electives only. Projects must be approved by the associate dean for faculty and academic affairs and the division chair and/or program coordinator prior to registration. Credit(s): 1, 2 or 3 credits, dependent upon topic.
Source: Shenandoah University's catalog, linked per course · table learning_unit · CourseShelf publish 59
